chesterdouglas

I feel like not enough has been made of how great this episode was. I was clearly fantastic.

Well, that was amazing.

I thought this was a very funny episode.

Was anyone else legitimately taken aback by how impressive Jessica McKenna's freestyle rapping skills turned out to be?

Well, that was unambiguously awesome.

Dr. Jew Jax's recommendation against attempting to suddenly introduce Karl Rove as the surprise "featured guest" in a threesome with your regular sexual partner is certainly one of the soundest pieces of romantic advice that I've ever heard.

I enjoyed the hell out of this episode. I would definitely listen to a Me2I'mTalkin'U2toU2 mini-series. But Andy Daly seems like a busy man. Only in dreams, I guess....

Emmy-winning actress, Tatiana Maslany? Wow! She must have rushed right back from the award show -- statue in hand -- to record this. To hell with the after-parties. Now that's a true professional.

Well, I -- for one -- thought that this "experiment" turned out to be fantastic. I can only hope that there are more episodes like this in the pipeline.

Whenever I listen to podcast episodes where Lauren Lapkus is just being herself, it only further solidifies my sense that there may be people in the world who are more effortlessly charming than Lauren, but I sure as hell haven't met them.

Yeah, I think I'm going to need to see the long-form birth certificate of that "ostrich." Many people are saying that this all seems pretty suspicious. Believe me. Sad!

Well, I'll be damned. I didn't see that coming. Now I'm worried that everything that I thought I knew about the world is wrong. This is concerning.

How in the name of God was Scott attacked by an ostrich in Australia? Either Scott's been quietly doing unannounced Comedy Bang Bang live shows in Sub-Saharan Africa and somehow got deeply confused, or he's talking about an Australian emu. Or, I guess he could have been visiting an exotic zoo in Australia. I guess this is just a mystery for the ages. No, wait, that was definitely an emu.

I really enjoyed this episode. The fluidity of the call-in show format worked really well. I have nothing further to contribute -- to this forum post, or to society in general.

I really enjoyed John Gemberling's increasingly exasperated (and futile) attempts to introduce some element of consistent logical reasoning into the "Discovering the Secrets of Mexican Food in the Future" segment.

I loved this episode on many levels, but I think that I was struck the most by what lovely singing voices Erin and Lauren have.

This is a predictably great episode.

I thought that the last scene -- where a furious PFT vows to build a time machine so that he can go back in time and "end the bloodline" of some guy who pissed him off on a golf course -- was one of the funniest things I've listened to in a while. I honestly think I've listened to that part four or five times.

This was a great, great episode. I have nothing more to say.

Long live Daves of Thunder! More Jacuzzi Thoughts.

The more that the idea of "lifting a blanket" in the night was mentioned, the more I had the odd sensation that it was wrought with strangely sinister undertones.

The very thought of a friendly neighbour being intimidated out of warning someone about a "growing threat in our neighbourhood" because they judge that it's too hot right outside of someone's home is one of the most wonderfully silly things I've heard in a long time.

Yes, having listened to hours and hours of Horatio on both Comedy Bang Bang and Improv4Humans, I am often blown away by Horatio's willingness to suddenly (and without warning) completely switch characters at the slightest provocation, totally disregard any established backstory/narrative without any real attempt at reconciling any huge logical inconsistencies that may result, or just suddenly become "Horatio Sanz" for a while before finally returning to being a character of some sort. I, for one, love this about him. It gives his appearances an anarchical, unhinged quality that I almost always genuinely enjoy. I've never seen or heard any other improv performer operate with quite that level of chaotic fluidity. As I said, I really like that about Horatio, but I could also certainly see how that could lead to moments of bafflement or confusion for both his fellow performers and the listening/viewing public.

So, what -- exactly -- is a "nom nom" anyway?

Am I the only one who was legitimately impressed with the level of detailed knowledge of Game of Thrones that John Gemberling displayed here?