Blast Hardcheese

Don't get me wrong, Lando. The entire movie is a turd. As such, Labouf is the least stinky part of it. Also, I did get a chuckle out of the line in the malt shop: "Get that greaser!" If only the rest of the movie was even that good.

Isn't it time that the movie Wikipedia cites as being the impetuous for this very podcast gets the heckling it so richly deserves? Apologies if this movie was already previously suggested. I couldn't find it in the Search.

I'd buy that for a dollar!

I always wished that the kids from Breakin' and Breakin' 2 were one of the gangs from The Warriors (same universe, basically), but they were too busy breakin' to bother going to the Midnight Summit.

Yeah, I'll admit that he's the best part of Crystal Skull for sure (and that's saying something given the loathsome money grab nature of this movie. <--- Oh, hey! There's another Bad Movie Recommendation right there!) But that vine swinging scene? For fuck'sake! I felt embarrassed the guy. Gawd! Contemporary Charlie Sheen in WS:MNS would have been amazingly entertaining.

I nominate President Obama as the guest for this episode.

That's what it seems like. But, did we really need to revisit this world with Shia LaDoof riding shotgun?

*Any remake of a what-will-turn-out-to-be-a-far-superior original 80's/90's film. *When the poster for the movie compares it to another more successful movie. *Tim Burton remaking whatever. *Cameron Diaz in a comedy not named The Mask. *"Starring Adam Sandler"

I forgot the one cool tidbit I liked from this film: RoboCain's operating System is based on iOS, but with a tiny skull in the upper right hand corner of his screen instead of an Apple logo. So, there's that.

While I'd love to here this movie get taken down by HDTGM, that would require actually watching this douche bag shit brick to do so. I like Paul, June and Jason, and I wouldn't wish this movie on my worst enemy.

So, just when you thought Punisher: War Zone put the final rocket-launched rocket in the coffin that was Hollywood's obsession with parkour, along comes the Tyler Lautner vehicle, Tracers. So, are studios just making movies in order to be fodder for HDTGM?

Yeah, I think he made the right choice here. I just watched this film again recently, and damn Peter Weller is amazing in it. Thank gawd he chose this part over RoboCop 3.

No, she figured that one out too. "And he's the guy he's chasing, right?" "Dude, stop ruining it!" "It ruined itself."

Thank you! I was trying to remember the name of this early 90's indie, but I couldn't for the life of me. At some point, I even described the movie poster (a striking image of one man in a huge shower pointing a shotgun at another man with a gun who's about to pull back the shower curtain) to a film buff friend of mine, and he was stumped. Anyway, I know what I'm watching tonight.

Is Angel Heart really that hard to comprehend? It seems pretty cut-n-dry, even with that twist ending. I remember seeing this movie as a kid and liking the hardboiled-gumshoe-meets-Faust-noir of the whole thing. Also, the grimy set dressing of this film is pretty cool. Plus, sweaty, pointy boobs! I recently watched this movie with my wife. Halfway through, she turned to me, rolled her eyes and guessed the twist ending exactly. "Gah! Robert De Niro isn't...? Oh, gawd. He is, isn't he!?!" "Yeah..." "Pfft...!"

To add to the bananas nature of this film, it's not actually a cinematic adaptation of the book, but a "heightened retelling" about how Naked Lunch was written.

A: Not even a little bit.

Given the fact that both Archer and Troy swap faces/bodies/lives, it seems as if the people in each of their spheres - the people closest to them - go out of their way(s) to not mention how their personalities have changed, or that the change in each of these guy's behavior patterns is a concern to them in any way, shape or form. In most movies, when a life altering event occurs that causes a character to deviate even the slightest bit in his personality, another perplexed or confused character closest to the protagonist will usually ask, "Are you alright?" But not this movie. Face/Off has no time for such trivial emotional nonsense. BTW, my pairing would by Tonya Harding and Nancy Kerrigan in Face/Off 2: Liar and Ice.

The best part of this movie for me was Nic Cage's sexy-as-all-get-out head-banging dance movez. [media=''] [/media] Okay, so there's Castor Troy, dressed as a priest and arming one of the biggest bombs in the world (which is then concealed behind two huge doors in one of the building's support columns) in an area with a fair number of people milling around, and nobody notices? Also, for the girlfriend of one of the world's most notorious terrorists-for-hire, Gina Gershon's character has one of the most conspicuous and heavily glass-paneled hideouts in the world (or did it belong to here love-brother...?) Finally, wouldn't Archer and Troy smell different from each other? And wouldn't Joan Allen-Archer, at the very least, notice that her husband is giving off a different scent than before (olfactory sense being the strongest of the five senses which is also significantly linked to one's memory)?

I almost forgot about my favorite scene from this movie: In their prison cell, Baby Oil tells Poe about his belief in God. Poe burst out with what can best be described as "an insane laughter hiccup." You, the viewer, are left wondering, "Is our hero laughing at his best friend's religious beliefs to his face?" A split second later, Poe let's out an exaggerated, "I'm going home!" It's a weird tonal moment that the editor of this film either missed completely or left in as a lark.

I know it's not, but the guy doing voiceover at the beginning of the film sounds like a tipsy Tom Hanks. At the end of the movie when the pilot says the airport is too far away to land, why not just land the plane in a patch of desert instead of landing on the Vegas strip? Seems a lot more practical. Colm Meaney's character is the absolute worst. Instead of being humbled the numberous times he was so very, very wrong (about everything, it seems), he keeps upping the ante on his belligerent wrongheadedness. I also love how Meaney does the bare minimum to mask his Irish accent. Listen to the way he says “murdrered.” It sounds like “moordored.” Also, “murdered” instead of “killed”?!? C'mon!

Not even The Rock's "box office Viagra" could get this film up.

To me, this scene is unforgivable. Time and energy was invested to depict one of the biggest cities in the world being destroyed so violently. It kind of made me sick to my stomach to watch. How about Cobra threatens to do destroy London? Maybe they have a simulation they could show. This was beyond the pale. And you're totally right, PlanB; why did the Joes wait until Cobra completely destroyed London and killed countless people before springing into action? In the ceremony at the end, all of those Joes should have been hanging their heads in shame."Too bad about London, aye? Here's a metal!"

Cobra destroys London in this film, and no one says shit after the dust has settled. Like, "We really need to capture Cobra Commander, aka the mass murderer who 911'ed an entire city full of people." Also, Cobra has these orbiting satellites in space that "drop" city-destroying spike tubes down to Earth. We know this because Cobra Commander seems pretty proud of them and tells the assembled world leaders how these satellites weapons work. But when we see the rod leave the satellite, it looks as if it was pushed out towards Earth using propulsion. Also,objects orbiting Earth can pick and choose when they use the Earth's gravity to fall from space.

Sometimes I get Spike Lee confused with Do The Right Thing director Spike Jonze.