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EvRobert

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Everything posted by EvRobert

  1. EvRobert
    When my community theater was picking out its next shoe, i was pushing hard for Rock of ages. But a friend of mine pointed out that no one in our "company" (for lack of a better term) has that rock voice. I don't know if getting rock singers instead of two Broadway trained, one opera trained, two pop singers, and two punk singers would have worked better (because the music wasn't good either. There are some real rhyming reaches and basic problems). I think the reason Zydrate Anatomy works is becaise it is mostly on The Gravedigger who is the writer of the show. He GETS the piece and had been performing it for years.
  2. EvRobert
    Ellen, I appreciate your love for this movie and sense of humor. I still hate it with the passion of a thousand suns, but again, it is mostly personal based on people who legit worship this film like it is the greatest thing ever without irony. (they are Boondock Saints fans too...I imagine there is some crossover there).
  3. EvRobert

    Episode 101 - Shakespeare in Love (w/ David Ehrlich)

    EvRobert replied to DaltonMaltz's topic in The Canon

    There are only two Hamlets that matter, Branaugh's and Oliver's
  4. EvRobert
    I want to believe that is how Terrance Zduinich (or however you spell his name) always dresses.
  5. EvRobert
    Sarah Brightman (Blind Mag) was probably the definitive soprano/Female vocalist in musical theater in the 80s and early 90s. Probably a little better then decent.
  6. EvRobert
    I had never really paid attention to Sorvino's singing prior to this, so I was judging it solely on this film. I assumed he made the choice or the choice was made for him to do the talk-chanting thing because he couldn't.
  7. EvRobert
    Again, we are all just speculating because even with all the world building exposition we are given no insights into the characters motivations. Its just poor writing. For example, i just finished a new play based on Sarah orne Jewett's A White Heron today and sent it off to a trusted reader. What I thought was clear, he didn't get so now i know i need to go into rewrites on that. I think these writers had just lived with these characters for so long THEY knew the motivations and thought it was clear but didn't have editoral oversight to help them clean it up.
  8. EvRobert

    Episode 101 - Shakespeare in Love (w/ David Ehrlich)

    EvRobert replied to DaltonMaltz's topic in The Canon

    Speaking again as a playwright thats what we (or at least I do) nuggets of ideas here and a turn of a phrase tjere and a name over there. Just today i finished up a writing project and sent it off to someone. He called me with we talked out some ideas, like Marlowe and Ned both do with Will. It all just really rings true to me. I know this is probably a losing battle. SiL is the film that beat SPR. It has a rep for being overally sweet and sentimental. It isnt as smart as Rosencrantz and Gildenstern are Dead, but it just works for me.
  9. EvRobert
    I was so confused by the character of Nathan. Sometimes it seemed like he really didn't want to be doing this work. Then he puts on the suit and he is reveling in killing people and then he has Mauchusen Syndrome by proxy and is deliberately keeping her sick (but shit looking at this fucked up workd I don't really blame him) there was no consistency. Compare him, for example, with Sweeney Todd. Todd is fucked up from Jump Street and is consistent in what he does. He doesn't show Toby affection and doesnt reciprocate Mrs Lovett's affections. He is a cold killer who is plauged with doubts but never wavers. Nathan is all over the place.
  10. EvRobert
    On a weird note, in this week's episode of the Canon, Darren Bousman was (sorta) referenced in their talk about Shakespeare in Love.
  11. EvRobert

    Episode 101 - Shakespeare in Love (w/ David Ehrlich)

    EvRobert replied to DaltonMaltz's topic in The Canon

    I voted yes. I knew I would vote yes as soon as it was announced. I can't even pretend to be unbiased about this film, I love Shakespeare in Love. Ben Affleck in probably his best performance. Gwyneth Paltrow's basically coming out as an actor. Geoffrey Rush doing his scene stealingest best. Tom Wilkinson as this sort of medieval Renaissance British gangster. Joseph Fiennes as every writer's dream while also inhabiting their greatest fears and insecurities. Judi Dench COMMANDING every scene she's in. Colin Firth as this awesome sleazy Billy Zane level villain-COLIN FIRTH! Marc Norman and Tom Stoppard's brilliant script that pays homage to the truth of Shakespeare while at the same time poking fun at it (in one scene, when Marlowe helps rewrite Will's script does more then Anonymous did in planting the seeds of doubt about how much Shakespeare wrote) and on a third level poking fun at modern Hollywood. As a young theater major who knew would never be a professional actor and so was beginning to dabble into playwrighting, who then didn't pick it up seriously until 10 years later, this movie spoke to me at the time. Revisiting it as a struggling, "unsuccessful" (depending on how you define success) playwright, it still holds up for me. Easy yes.
  12. EvRobert
    I never understood the purpose of introducing the Zydrate for any reason other then the writers had the Zydrate Anatomy number in their head or already written and felt forced to put it in. Or to give Zdunich, the co-writer, his big number and a reason for being a "Graverobber". If it's to be a "Graverobber", why couldn't he just be robbing graves of organs and doing black market surgeries? The synthetic heroin painkiller whatever it is, plays no part in the plot. It exists only for the big number (albeit the most memorable number).
  13. EvRobert
    Sorvino says that he will get his surgeons to fix her face before she performs that night, so I assumed it was his surgeons that did it, but because it was rushed job or it didn't set caused her face to fall off. That's another failing of this movie though or of the script, things like this aren't explained, like WHY her face falls off.
  14. EvRobert
    I got the impression that GeneCo was both provider and lender since Paul Sorvino tells Paris Hilton that he'll get his best sugreons on it to fix her face after her surgery fuck up
  15. EvRobert
    I would figure Brightman would command a fairly high price due to her Broadway, West End, etc credentials.
  16. EvRobert
    Who did she replace? I figured she was paying back a favor or something, but I can't imagine what kind of favor she owed to be in this.
  17. EvRobert
    I did, well sorta. I was watching it on my old Kindle Fire (my ipad died a couple of weeks ago and since I only really used it for streaming, I just switched over to my Kindle for as long as I can) and it died like twice because I knocked out the plug. So like...2 or 3 minute breaks.
  18. EvRobert
    I think that if I had watched this on Thursday or earlier in the week like I had planned, I wouldn't remember it as clearly or be as "mad" about it because it would just fade into a jumbled mess, but I watched it like...12 hours ago, so it's all very fresh in my head.
  19. EvRobert
    But I don't think Spader can sing any better then Sorvino...
  20. EvRobert
    OMG yes! I was like "okay so she was blind before Marni died and could sing, she got eyes and could sing, if she loses her eyes, will she not be able to sing?" a larynx would make so much more sense. Also, why is her contract with GeneCo so much a bigger deal then others? Does signing a contract in blood make it "more legal" in court? And it was already established that GeneGo had a legal right via congress to repossess. The whole signed in blood OH NO! deal was another step that made no sense-and frankly kind of childish. I know blood oaths USED to be a big deal, but today not so much let alone in 2035 or whenever this took place. And I STILL want to know why her eyes are able to project holograms and shit, and no one else has this super duper magic tech powered organs.
  21. EvRobert
    re: the lighting. I wondered if they were trying to give it the feel of being on stage while also trying to give it a musical quality. Or maybe Bousemann (sp?) doesn't know how to light? I'm too lazy to look it up, but who was the cinematographer? It's possible that, knowing how fast they filmed their follow-up, The Devil's Carnival: Alleluia, (14 days) that they filmed this almost as fast and didn't have time to properly light it.
  22. EvRobert
    I wish I had forgotten to watch this...
  23. EvRobert
    (FYI, I really should be writing on one of two new plays I'm working on, but I'd rather be discussing this train wreck of a movie )
  24. EvRobert
    The first one would have been fine if they would have had say, Sarah Brightman narrate it, ala Jamie Lee Curtis in Escape from New York/LA. Instead it's 3 GOD DAMN MINUTES of reading a comic. 3 minutes, I'd rather be reading Batman.
  25. EvRobert
    I think this movie (not just this song, which was probably the second best song and easily the catchiest) was trying too hard to make lyrical rhymes. And yes The Necromerchant's Debt is a MUCH better title.
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