Mrs_Krinkle

here's a kool interview with iggy pop and, I'm Bored, live at Old Grey Whistle Test, c. 1979

Tubeway Army - Are Friends Electric? (1979)

the cramps kick ass, Video Beat Compilation 1983 Boston, MA 1983-03-12 The Channel, MA, USA. Recording of Independent Origin. The Cramps - "She Said" (hasil atkins)

this is fucking awesome.. that's really all.

"Baby Doll" directed by Tessa Hughes-Freeland (1982, Cinema Of Transgression)

http://www.youtube.com/watch?v=8DJ03Pcns40 bonus clip of James Chance and The Contortions, Live Archive Footage.

Erick Purkhiser picks a fight with "The Cramps" in the no wave classic flick, "The Foreigner" by Amos Poe while the Erasers, "No Se" play at CBGB Circa, 1978. i know we did a punk segment way already, but what about the no wave and proto-scenes? Shock Rock and Richard Kern are right there waiting for attention, if ya ask me. still really relevant to today. but i suppose that's just my opinion. full film of Nick Zedd's Wild World of Lydia Lunch. Nick Zedd follows Lydia around London, while she basically breaks up with him the whole trip was to get away from him. apparently the film score, the soundtrack is a tape she sent to Zedd as a fuck you. i really love the soundtrack to this whole thing. enjoy.

can we just appreciate this for one moment?

http://www.youtube.com/watch?v=bI--TGQGNFc what we lack here is balloon animals.

there is no reason. which is the only and best reason for anything. fucking damnit. sorry, that felt like it needed a few 7 words.

Alice Donut - Lisa's Father also, Dead Milkmen The Puking Song 120 Minutes 1989

this speaks for itself... i'm in a horror movie mood.. http://www.youtube.com/watch?v=xmcR8_2RinY Phantasm c. 1979 Don Coscarelli i just think this really should be remembered..

here's a couple of movies i had forgotten about and recently re-discovered. Re-Animator c.1985 Dir. Stuart Gordon ....and let's not forget.... http://www.youtube.com/watch?v=zgZuCXY-vR8 From Beyond C.1986 Dir. Stuart Gordon ...i am quite young to actually remember these coming out but i did lack intense parental supervision. i am not sure if that is a good or a bad thing, but i can say this. i do have taste. that is for sure. and i remmeber, even as a kid loving these movies. i almost lost my shit when, "From Beyond" came on a local prime time movie channel here. great stuff.

holy fucking shit i've been looking for this for like, 4 years. jesus. great post. thanks for reminding me.

http://www.youtube.com/watch?v=y9P2V0_p6vE Steve Allen show, Frank Zappa Playing music on a Bicycle 1963 also referencing his work for the score in The World Greatest Sinner Dir. Timothy Carey C. 1962 and breifly notates up coming album, How's Your Bird? c. '63

happy belated thanksgiving.... http://www.youtube.com/watch?v=yqlqp3OT13U&feature=player_embedded

"There's always room for Jello",

http://www.youtube.com/watch?v=DtQp60e-v3M i might be alone here, but i think this is pretty radical. i don't know if it's usable, per se. but it's definately interesting.

i take it this is my cue to get out from under that huge rock i've been living under.

what ever happened to Kevin Arnold?? this is a movie from 2002 called Rules of Attraction, in which Fred Savage can feel his dick.. i have no clue where it would fit in, but i think it's fucking great, enjoy.

Performing The Piano Has Been Drinking on Fernwood Tonight followed by an interview with the slightly intoxicated Tom Waits. 1977 http://www.youtube.com/watch?v=-gwUtEEjZJ8

A 1962 underground film written, directed and starring the character actor Timothy Carey. The self-financed film tells the story of an average man, Clarence Hilliard (played by Carey), who quits his day job as an insurance salesman and forms a rock band. Finding that he can whip crowds into a frenzy with his wildly unhinged rockabilly performances, Clarence takes advantage of the attention by turning his fanbase into a political party and eventually a religious cult based on the premise that every man is a god. Ironically, Clarence finances the cult by graphically seducing elderly widows out of their life savings (the film is noted for its many sequences of Timothy Carey making out with old women). The more powerful Clarence becomes, the more egomaniacal and detached from reality he grows, eventually insisting upon being called God with a capital "G" (literally-- "God Hilliard") and having his followers worship him as such. Soon he personally challenges the God of the Bible to prove that Clarence himself is not the true Almighty. God obliges him. The film features a score composed by a young pre-Mothers of Invention Frank Zappa The film is narrated by Paul Frees in his typically dramatic fashion. http://www.youtube.com/watch?v=S-PLsk4f_PA

i realize we've found the manakin guy but i actually found a neat little article by judy zee wrote about them on may 14th 1981. i found it pretty interesting, i thought i would share it- regardless. http://www.tvparty.com/homeroom1/5-14-81.html here it is. PZ Connection Judy Zee writes with her partner Punkasso. Will they ever agree? May 14, 1981 "Welcome back Manakin for an unannounced performance on April 14th at Club 88" ran a Man from Uncle-like psychedelic coded message in Showtime. With crystal clear, technologically clean melodic instrumentation; and Brent's expressive vocals- this ensemble has been swaying Los Angeles audiences consistently. So we showed up for this one. Manakin has been missing in action for four months already, and friends and fans were getting restless. Opening with "Manakin-land", you enter their cartoon. Brent par usual, is carried, a frozen full sized human doll, onto center stage. Then, they start in with their Temptations-like stage presence savoring 60's-ish black vogue. The pace is upbeat, integrated and intense. Manakin sounds fuller than ever, much of it do to the addition of a thoroughly appropriate bouncing keyboard/synthesist. The untabulated eloquence of "Children of Paradise" as well as "Just a Dream" never fails to sway Ms. Zee, tumbling into the imagination of what really could be; strongly grasped romantic ideals, seen through rose colored glasses waltzing to the cadence of human aspiration; stretching towards the near perfection we all feel at times. Manakin nearly composes these utopias merely through sound. "Bridges on the Other Side", joyfully rhythmic, breaks on through the windows of Reggae, reminding one of "Dangerous Rhythm" (one of Ultravox's most overlooked songs, 2nd album). Punkasso gives a description of the Club 88 dance floor at this point: false manakin puppeteers prolificate on the floor in a Devoesque bath of the 60's, it was such a cliche I could hardly move. I wish Manakin was on record already, so that you could hear what I am referring to. No clones these guys. Cream of drums, Guy Epstein shoots off sparks, snaking round the set. On bass you've got Andre. The keyboardist is Chas Coleman playing a shoulder strap hand held bone like instrument which is hooked up to a sequential circuits Prophet 5. His presence and musicianship are both outstanding. Bob 'Moonstone' Walker's running liquid quarter notes make up the river world of Manakinland, and synchronize like clockwork with the synth. A couple moments of erotic beats were caught and frozen into a time/space continuum, encompassing the overall experience of the night. The jam was real. Rock on. -Judy Zee