gene_shallot

Oh hai, The Canon forum. Long time no see! I was one of the goobers who suggested The Room for debate early on in the podcast, so I really wanted to chime in. The appeal of so-bad-it's-good movies like The Room - but especially The Room - is that they're funny. And I don't just mean that it's inept - a bad film is merely boring, lazy, or careless. Science breaks humor down as: expectation -> tension -> expectation fulfilled, but in an unexpected way. The Room is the cinematic equivalent. As lifelong consumers of media, we have an innate sense what a film should be. The Room twists our preconceptions to the core - dialogue, motivation, continuity. The very structure of what a single scene should be. Our notions for a film are resolved, but twisted in ways we'd never expect. Intentional or not, the result is as entertaining and engaging as any comedy - and baby, The Room is top tier. They say good comedy is timing, and The Room is a perfect storm where all expectations are tweaked just right. It's the Richard Pryor of 'bad' movies. And I think that's what sets The Room apart. In its own way, The Room is just as fascinating a portal into the mind of Tommy Wiseau as Kubrick's films' are into his (or your favorite _x_ director). The growing cult of fans, the crazy making-of story, plus the walking enigma that is Tommy Wiseau are just icing on the cake. I have to vote 'yes'.

Haven't seen BLWiT yet but it's hard for me to imagine it out-doing (*ahem*) 9 to 5.

Z's been on my to-watch list forever, so this was a great excuse to finally check it out. And boy howdy. Great film. Great enough to where I'd vote it in just on that alone. Even if we're talking Cold War-era political thrillers, I found it more arresting and more of a gut-punch than Three Days of the Condor, so easy 'yes' vote for me. After the ending crawl, I was thinking "I really liked it, but some parts seemed a little far-fetched". Then I googled it and learned that was pretty much how it went down. Mind blown. Made me think how many other injustices and abuses of power have gone down throughout history, but sadly didn't have people with the power to bring it to light or to document it (like the case here), and have been lost & forgotten. Reminded me of The Act of Killing/The Look of Silence documentaries, about a genocide in Indonesia not well known outside of the country. Depressing & potentially shattering-your-faith-in-humanity, but well worth watching. On a different note, so should we be pronouncing Z as "Zeta"? Is this like a Lost City of Z situation? (gah, I'm off to watch videos of kittens or something)

Ah interesting, I think I've heard similar about The Beguiled (although that may be more about casting & adaptation choices). Wonder if they'll mention any of that in the episode. Really need to get off my butt and finally watch it.

I like Marie Antoinette a lot, but it's a divisive movie whereas Lost in Translation seemed just about universally acclaimed. At least at the time (unless there's been critical reevaluations? backlashes? no one tells me these things). Agreed, I'll be shocked if it's even close.

Ha, fun episode. Big yes on Raising Arizona, my absolute favorite Coen bros movie! Lebowski is great and has the bigger cultural impact on its side (and both Burn After Reading and Hail, Caesar are underrated), but I gotta give the edge to Arizona for the tightness of script and vision. That, and it just makes me laugh more. All this, assuming there's only room for one Coen comedy - I'm a fan of a "big" Canon though, so I'm all in either way. Also, permit me an indulgent shout-out to a podcast I've here plugged before - Blank Check with Griffin & David - who's latest episode: Christopher Nolan's "Memento", guest stars none other than Amy Nicholson! That's right, the daughter of Jack Nicholson herself. Listen, won't you? Or not. But I mean... it's a pretty fun podcast.

Can't believe this hasn't been done yet! I don't know how it got made, but I do know it was made for this podcast.

I also assumed this was the main factor. The nature of hosting and being pro about it (which I think Amy is) entails being considerate to guests & letting them have their say. Even in the old episodes I think this was noticeably true, and as the trusty co-hosts Devin & Amy could always bounce off each other as necessary. The great thing about Amy & Devin's dynamic is they're smart, knowledgeable, and opinionated - AND because they're good friends, they're free to call each other out and be as blunt or pointed as necessary, no harm no foul. Understandably it'd be hard to find a guest who checks all those boxes. Maybe Armond White was closest because he doesn't care whose toes he steps on (I mean, he is a professional toe-stepper).

Wow, this is going to be the hardest Canon decision since I don't remember when. An iconic filmmaker, two incredible films, yet so different from each other. Don't know which way I'm going yet; all I know is I hope Mulholland Drive also gets nominated some day.

Prior to the episode, I knew of John Waters more than I knew his work - I'd only seen Serial Mom, Hairspray, that episode of The Simpsons, and apparently a ridiculously edited down version of Pink Flamingos, I'm realizing after listening to the podcast (Wait, THAT happened?? But I don't rememb- then they did WHAT??!) I guess that mentally fortified me for Female Trouble, which seemed downright quaint in comparison. Incestuous oral sex is merely suggested this time, I mean what's the big deal? The movie is hilarious as advertised and hard to take my eyes off of - Waters really has an eye for casting. Interestingly meta too - "bad taste" art about artists who exploit someone to make "bad taste" art (Dasher even sports an unconventional 'stache). I even dug the theme song. Y'all made a very strong case for Water's inclusion in the pop culture canon but should Female Trouble, specifically, make into the film Canon? I maybe didn't vomit, but I did throw up in my mouth a little. I guess that's a 'yes'.

"See here, I'm looking for Khaleesi and his boys. Tell me where to find them or I'll beat your head off!" *and scene* Hadn't seen this (or even heard of it) before, so I appreciate Pat Healey's choosing it. But I agree with Amy the romance doesn't work - Dixon has more chemistry with the cafe owner than Gene Tierney. If dames weren't de rigueur, the whole subplot would almost be superfluous. I'm glad I watched it and it does feel unjustly forgotten - Preminger brings a lot to the table and the supporting cast, in particular, were the MVP's for me. A very solid noir that doesn't quite reach Canon-status. Also, is the lowest # of responses for an episode? I'm assuming due to the obscurity of the selection...

Interesting we'll be getting this before, say, Pink Flamingos or Hairspray. I've never seen it so I've got high expectations! Or is it low? But in a good way. So... ?!?!

An interesting thing about the LOTR trilogy is that they were filmed at nearly the same time with nearly the same crew, so perhaps there is a little less to talk about than, say, the Star Wars or Alien franchises? If so, it's natural the conversation would gravitate towards which one had the best scenes or the most memorable quotes/dankest memes. Still though, not sure I agree the trilogy should've been considered as a single unit, but more on a technicality. Aside from the myriad story differences between the two, the films are crammed into a traditional 3-act-kinda-sorta structure with their own storylines and arcs, to the extent possible from the source material. Even though the books were intended as a single piece of media, the films weren't. I went with Fellowship for reasons already mentioned in the homework thread (RIP Two Towers). Despite loving RotK's Smeagol opening, the creepiness of the army of the dead cave scene, and the Gandalf/Pippin mid-battle interlude, there was a lot more for me to love in FotR. Fellowship also had the tougher task of the two in establishing this world, the character dynamics, and the stakes, and all convincingly & propulsively enough to carry through two more very long movies.

A scathing critique from Jizzyballz69.

Yay, Pat Healy! and Jake Fogelnest next week! Cheap Thrills really is great. There's weirdly a lot of films recently with a similar dark, 'what would YOU do?'-type premise (on Netflix, for example), but Cheap Thrills is easily the best. And Amy, no "La La Land sucks" reference? I was sure it'd be worked into every episode, all leading up to Devin's surprise return where he triumphantly nominates for the Canon... La La Land! Ah well.