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Days Won
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Everything posted by skizelo
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Episode 39 — Sean O'Connor, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
Dear Aubry what fun nickname should I use when pretending that I know you to third parties at social dos? -
Episode 39 — Sean O'Connor, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
FIrst, you need to do some groundworks and explain what a podcast is. Maybe queue up a few episodes from various shows so they can just get a feel for the scene. Maybe mention that patent lawsuit, or the major stories WTF broke. Then you can narrow down on the Earwolf umbrella, take them through a sample CBB, explain how its irreverant nature really informed the character of the conglomeration, and how Scott's LA comedy credentials helped further populate the lineup. Maybe take them to the website, show the blog, the list of guests, point out that they have a forum, but don't say you've got an account, just explain was a messageboard is at the moment (don't want to overwhelm them). You're about ready to start honing in on HH. First of course you've got to get them to listen to the back-catalog of RSS episodes, otherwise it doesn't make any sense at all. Eventually you arrive at HH epi 1: Our Close Friend Jake Johnson. Point out the similarities, but also the differences, probably highlighting how the change in focus from a hated medium (reality shows) to a loved one (big and small movies, maybe music) was intended to increase listenership. I'd say give them like, 6 or 8 of the best episodes, over the range of the show, with notes talking about how old running jokes are dropped and new ones develop. Around this time I'd mention the active forum community (which is heavily referenced in the show itself, another attempt to bolster ratings). FINALLY you're getting onto linking them to the HH subforum, where you pick any given episode thread. There you just highlight the OP (Agata) and say "she's rude." e: misread Jacob C's post for some reason and thought Agata had told him to eff off, amend my guide to highlight the 4th post in the thread (Valerie) and say "she's rude". e2 I hope Game of Scones got a CD and it was not a joke -
Episode 39 — Sean O'Connor, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
I really liked Sean going "whoa-oh" as Hayes threw to the guest segment (around 17:55) I've set it as my new ring-tone.- 167 replies
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Episode 38 — Matt Gourley, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
Any questions for this week's guest... you?? -
Episode 38 — Matt Gourley, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
It was on an I4H VPN episode I believe the one with the new interns and Greggy was in the chatroom asking mercilessly for a shoutout and either the new intern or the engineer mumbled it on mic between scenes and Matt got grumpy. -
Episode 38 — Matt Gourley, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
The Grateful Dad- 198 replies
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Episode 38 — Matt Gourley, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
Sean I know you like You Talking U2 to Me, so I guess you listen to Analyse Phis too as it's basically the same show. What did you think of today's Epi 9? I thought there was some good stuff there, but it's not the classic that the last concert show was. A bit too unavoidably scrappy. The darker element of Harris' rehab is an interesting aspect, possibly a first for an earwolf show which doesn't really have any confessional or self-help stuff in its portfolio. Your show's good too tell Hayes I said hi. -
Episode 38 — Matt Gourley, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
Greggy Quotemore. -
Episode 37 — Jessica St. Clair and Lennon Parham, Our Close Friends
skizelo replied to agata's topic in Hollywood Handbook
Dave is Tim as fractious offline as he is on? -
Episode 38 — Matt Gourley, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
Sucks that the new thread is posted just as people were getting around to posting their dad. Now we have to talk about the show for like ten posts. Anyway I like Matt Gourley, and I like people yelling at Engineer Sam so today's a bumper crop for me. I'll give the show a relisten later today and say what I really liked more specifically. -
Episode 37 — Jessica St. Clair and Lennon Parham, Our Close Friends
skizelo replied to agata's topic in Hollywood Handbook
Spanks and no Spanks more like. -
Episode 35 — Mikal Cronin, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
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Episode 35 — Mikal Cronin, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
John, Hayes and Sean once described you as "looking like a cartoon nerd." Which particular nerd do you think they meant? Also, googling you got me to a blog on hair parting which describes you as the most "powerful example of the way the right part on the wrong person can lead to a personality that is almost completely disliked by the peer group." How do you respond? -
Episode 35 — Mikal Cronin, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
You should do the Nerdist catalog next, all. -
Episode 35 — Mikal Cronin, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
Once on twitter i did an @ reply to PFT calling him Porl F. Tompkins, he didn't fav, rt or reply. -
Episode 35 — Mikal Cronin, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
In repeatedly refreshing the epi page I've seen that there's a comment on the sound cloud page and really? That's a thing we're doing now? There's a new field of HH fan-community that I have to dominate? Also I really liked this one, Mikal Kronin is a good guest. This good advice? Too scary. -
Episode 35 — Mikal Cronin, Our Close Friend
skizelo replied to agata's topic in Hollywood Handbook
I'll just say that as of now, there are no photos on the epi-page. I don't know why they'd even pretend that they're being filmed by a french documentary crew. -
Krusty the clown was the first PUA
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Go to school every day/Bullies do the same thing, every day ONLY Reality Show Show kids will get this
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"bye" "bye-bye" and "goodbye" are all © Sean Clements.
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I wanna get into this fanfiction game too. Call me Hayes. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever. But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd's head, yet all were vain, unless the shepherd's eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all. Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don't sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honourable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids. No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honour, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain't a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content. Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But BEING PAID,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition! Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way—he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this: "GRAND CONTESTED ELECTION FOR THE PRESIDENCY OF THE UNITED STATES. "WHALING VOYAGE BY ONE HAYES. "BLOODY BATTLE IN AFFGHANISTAN." Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment. Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in. By reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air. There are a few more chapters before Sean shows up, any interest?
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i dont listen to podcasts and look down on those that do.
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Agata asked us to get a thread to 100 replies like 3 weeks ago and by post 50 we were linking our profiles.
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I think they should push it to like, 60 or so I want the studio to be filled with people, 2 deep at least.
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Tim's life is pretty much what I expect for any pre-stardom HH listener.