DougGlassman

We Hate Movies did a great episode on Body Parts, but I thing HDGTM definitely could have some new angles on it, especially when it comes to Lindsay Duncan's bullshit non-explanation of what she's doing. "Think of the implications!"

I hate to disappoint you, but they're actually saying "Magic Night". Jenner's character is, much like Michael in Xanadu, absolutely unnecessary for the rest of the movie. The entire thing could be streamlined by making Jack into Samantha's romantic interest.

The Dollop podcast did a great episode on Count Dante if you want to follow up on what Jon was saying about the Dojo Wars: http://thedollop.libsyn.com/134-counte-dante

Streets of Fire could actually be good with the right remake. The art design is over the top but workable and there's some good music, along with what might be the greatest opening number ever. Seriously, "Nowhere Fast" is the most earwormy song on an HDTGM movie since "This Is The End" from Staying Alive.

I don't have much else to add... except HACK THE PLANET! HACK THE PLANET!

After "The Revenant" comes out, they should do an episode with Dave Anthony and Gareth Williams from The Dollop to discuss how accurately Hugh Glass was portrayed.

My theory is this really is like Jaws 4 and the sharks are attracted to Fin's sharktooth necklace. It's a cursed artifact that summons Sharknados as revenge. His family are affected by the curse as well.

Upon a second listen, I realized the need for an episode on Dune.

For MST3K fans, it's directed by and starring the same people as Pod People. Crazy movie, especially the "kung fu" scene.

I need to bring this movie's thread up again because of something I realized. This movie and Xanadu both feature annoying male leads portrayed by terrible actors who add nothing to the plot. The Apple is almost the same way apart from the lead having at least some bearing on the plot, but it's so batshit crazy that you'd hardly notice it.

"Bath-based teleportation" Channeling June in her absence, eh?

When the first thing you hear in the trailer is "From the producer(s) of", that's not a good sign. After all, "Can't Stop The Music" was from the producer of "Grease", so it had to be great. Similar to the writer example, count the number of editors in the credits. Larger and more effects-driven works do tend to have larger editing teams, but if a small-budget movie has five different lead editors like "Space Mutiny", you're in for a bad ride.