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E.Lerner last won the day on January 8

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  1. E.Lerner

    Episode 248 Velocipastor

    YES! My recollection is also that Cannibal actually pulls off the cheap, schlocky horror/comedy combo that Velocipastor falters on by half-parodying and half-emulating.
  2. E.Lerner

    Episode 247 - 2:22 (Live in Portland)

    Yes, but then their sign wouldn't be Aries.
  3. E.Lerner

    Episode 247 - 2:22 (Live in Portland)

    I'm surprised Jason didn't bring up Serenity, since that was the other movie he described as uncrackable due to the creators not figuring it out in the first place. I had considered whether we were headed to a stuck-in-a-glitchy-simulation explanation, and was convinced once we got to the hologram. But there were at least a dozen other explanations they gestured at — all from other, better movies! — before settling on "absolutely fucking nothing."
  4. E.Lerner

    Episode 246 - Swordfish: LIVE!

    YES! I was actually surprised they didn't bring it up again after the 360 degree explosion. The hair, the clothes, the raves, the sunglasses, the command-line-looking opening credits, the green tint to everything — but nothing was as egregious as the multiple different orchestral stings that appear to be lifted directly from Don Davis' Matrix score.
  5. E.Lerner

    Episode #245 - Money Plane

    This question is probably exclusively to Smigg: Would Dean Ambrose/Jon Moxley been a better lead for this? I've not seen any of his film performances, but he struck me as the only choice for Nada if they were going to make They Live with a current wrestler. And it speaks to the movie's tonal confusion that Edge didn't get to do much wrestling or comedy despite being the main character. It was honestly sad seeing him floundering up there as the straight-man; if the movie had actually leaned into being a Fast & Furious spoof, he might have had a chance to flex some of his natural charisma.
  6. E.Lerner

    Episode #245 - Money Plane

    This enormous airport with multiple terminals and parking lots is also in an "UNDISCLOSED LOCATION." I feel like the dozens of non-money planes actively taxiing in that establishing shot probably have a sense of where it is! Also, for an exclusive, secretive operation, Money Plane is seemingly cool with hiring their flight crew off of Zip Recruiter and meeting them for the first time several minutes before takeoff.
  7. E.Lerner

    Episode 243 - The Peanut Butter Solution

    I wanted to return to this idea, because "imagination" ends up coming back in a big way at the end. We don't get a big reveal of what caused Michael's fright because it was entirely in his imagination. The Signore is also not against his own use of imagination, since all of his magic paintings are of imaginary landscapes. He needs to be coaxed into painting a real place — the burned out mansion — though what he encounters there is implied to be the same as Michael's fright, and thus a product of The Signore's imagination. Beyond the cape, wand-like brush, and the fact that he has demonstrated the ability to make his imagination come to life, Celine Dion's song makes it pretty explicit that The Signore is indeed a wizard. I think we need to read The Signore's prohibition against using imagination in his class as more of a _warning_, especially for Michael, in whom he may already sense this latent power. Michael is also painting a scene of The Signore's dog being engulfed in flames, something The Signore would be understandably upset about if he suspects Michael is also able to manifest such scenes from his imagination. Can we get Jason to weigh in whether The Peanut Butter Solution takes place in the Legion universe?
  8. E.Lerner

    Episode 240: Megaforce LIVE from Montreal!

    I noticed this and loved it. I get how retakes on that scene would have been particularly time-consuming and expensive, but there's those kind of flubs all over the movie. My favorite was when Ace obviously biffs the top of his flying motorcycle and gets twisted halfway around on the wires while executing his superhero dismount.
  9. E.Lerner

    Episode 238.5 — Prequel to 239

    No way — he owes them big time. Either he limps across the finish line and benefits from the lowered expectations, or more likely, realizes that a neat, satisfying ending is fundamentally at odds with the story he's been telling and retires in peace on top of a gigantic pile of money. Personally, the most authentic GOT ending is Martin unceremoniously dying of old age without providing any sort of resolution, and I genuinely hope that is his plan.
  10. I think there's a line in there that establishes that the people encased in the goo are just knocked out, since they go back and free the rest of them some time later. Valerian's combination-breathing-apparatus-and-minature-spider-robot-deployment-device certainly does suggest that these would otherwise be extremely cruel weapons, rather than a form of non-lethal crowd-control more in keeping with the Müleans' ultra-pacific vibe, but that speaks to the bigger problem Cameron H. is talking about. All of the technology is wonderfully imaginative and specific, but that specificity doesn't actually add up to a coherent idea. The biggest offender there was Big Market, which the gang alluded to. Everything being a hidden dimension is an extremely fun, interesting premise, and it's enhanced by the hand-held portal device — until all the rules immediately go out the window in terms of who can see and interact with what. There were a couple of instances where those wacky set-ups did pay off to me. The ridiculous and more-than-a-little-racist? big-butt-alien fashion-show being revealed to be an elaborate serving dish for Laureline's brains, complete with human-head-sized skull cracker was great. But the best was John-Goodman-the-Hutt's double-barrel pistol that is articulated so it can simultaneously point at two people who are sitting very close together. EDIT: I see Cam Bert is way ahead of me on this one.
  11. We're all in agreement that there was a Jessica Rabbit space-prostitute in this film, right?
  12. E.Lerner

    Episode 236 — The Great Wall (Live)

    Western audiences are probably most familiar with director Zhang Yimoufilms Hero and House of Flying Daggers — which also have super-colorful, hyper-kinetic wuxia fight scenes — but the bigger reference point might be his directing of the 2008 Beijing Olympic Games' opening ceremony If you've never seen it, it's definitely worth a watch, especially as it features a similar holographic scroll powerpoint presentation! Those big set-pieces with thousands of ornately-costumed extras were definitely evocative of some of the more mind-blowing elements of those ceremonies. And they're also in keeping with some of the big themes of Chinese communitarian unity and sacrifice, versus western individualism and greed.
  13. 100% percent agree with Jason and June's delight with Data's running fart gag. So much of my enjoyment of that joke comes from it being Spiner, so the fact that they referred to him exclusively as "Data" really nailed it for me. I also think Spiner was channeling a particular TNG episode in his portrayal of Devlin Bowman. In The Most Toys, he's pitted against a sleazy, smarmy, somewhat dorky villain — Kivas Fajo, played by the great Saul Rubinek — who kidnaps people, fakes deaths, and otherwise plots and schemes to get his hands on the galaxy's rarest treasures.
  14. The implication is that the Masters of Disguise are essentially the Illuminati — capable of invisibly controlling world events. I think that's what they were going for with their iconography and quasi-magical abilities as well.
  15. Having worked in journalism, the difference between Wiseau and Breen really highlights the difference between what we called kooks and cranks. Especially working in science journalism, my colleagues and I would get hundreds of emails, letters, phone calls, DVDs, fully bound manuscripts, etc., from people who had made shocking discoveries that were poised to turn the world upside down if they could only get the word out. Like Wiseau and Breen, these men (and they were 99.9% men) all had an incredibly high opinion of their own intelligence and importance, coupled with a sub-amateur-level grasp of their subject matter of choice. Kooks, like Wiseau, have eccentric, disconnected-from-reality ideas, but also have a childlike enthusiasm for exploring them. Cranks, like Breen, are at war. Even if they aren't explicitly alleging a global conspiracy to suppress their findings and ideas, they are on a mission and need to know whether you're going to help them or stand in your way. Cranks are the ones that will actually show up at your office and ask why you haven't been returning their calls. That's why June's line about women being harmed in the making of this movie rang so true to me. The sex scenes in The Room were also gross and self-serving, but there is a sinister aspect to Breen that I just don't pick up from Wiseau.