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Quasar Sniffer

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Quasar Sniffer last won the day on August 11

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About Quasar Sniffer

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  1. Quasar Sniffer

    Musical Mondays Week 104 The Guest

    Yeah, if Reddick was just Stevens's former commanding officer that the military brought in to "decommission" him, it would have saved a lot of plot shoe leather, and maybe more room for developing the other characters.
  2. Quasar Sniffer

    Musical Mondays Week 104 The Guest

    Sorry for the late reply, but 'The Guest' just really works for me. I have a couple close family members who served in the military, and what the family does in this movie, at least in the first act, doesn't ring false to me. At certain points in my brother's military career, he had a... rough time, so I thanked the heavens for the one or two friends he had in the service and they stayed with us a few times. Granted, my brother was THERE at the time, but if my brother had been killed under shadowy circumstances and one of the people who made his time in the military less burdensome showed up at my door... I might welcome him with open arms. I know, again, 'The Guest' is different because Dan Stevens is a total stranger to the family, but I still bought it. I guess I also get frustrated when movies over-explain things. For me, franchises like Halloween, Friday the 13th, and Nightmare and Elm Street get worse when we get into the lore and motivations of their respective monsters. I don't want to know that Freddy is "the bastard son of a nun and a hundred madmen" and that you can subdue his spirit if his bones are buried in consecrated ground or whatever. He's just a vengeful, evil ghost who loves Christmas sweaters! So the military super-soldier program stuff is actually the least interesting parts of 'The Guest,' but I think it's worth it for the presence of Lance Reddick, whom I will take being authoritative and intimidating in a Rice Krispies commercial. For me, horror is so much about aesthetics, which is why I enjoy a lot of the anachronisms or weird costume choices.. Dan Stevens being sexy as hell and charming, yeah, sure, I'm down. The 80s music obsession? Yes please. Illogically powerful fog machine? Cool. I also think this movie definitely qualifies for discussion here, as musical moments, especially "Haunted When the Minutes Drag," are integral to that atmosphere and mood for the film, and even character development. I think it's closer to a musical than most horror films because it accomplishes these things with specific songs in the way the 'Halloween' theme or the Friday the 13th "ki ki ki, ma ma ma" noise establish mood. Clearly, it's not 'Anna and the Apocalypse' with song and dance numbers, but characters still discuss and listen to music, and the songs listened to diegetically are then used as score, so it's a film that makes its song choice very prominent. And I was the dude who asked us to do 'Long Dumb Road,' so I guess I'm up for the discussion of any movie if the person proposing the film wants to talk about it. We've been doing these discussions so long (which I am very thankful for!), an occasional change of direction is welcome.
  3. Quasar Sniffer

    Musical Mondays Week 104 Preview (Graham S.' Pick)

    Oh, nice! I love this movie!
  4. Quasar Sniffer

    Episode 251 — Breakin’ 2: Electric Boogaloo

    *edit because.... I don't know, nevermind*
  5. Quasar Sniffer

    Musical Mondays Week 101 The Runaways

    I love Rush, and I also love Joan Jett. It seems to make sense that the Runaways would have a chip on their shoulder, it was probably something Kim Fowley sort of ingrained in them. Make a scene with a big headliner that doesn't have much crossover with their fanbase for the publicity. He's a real fucking piece of shit. As for Ayn Rand (speaking of pieces of shit), I never understood how anyone in the arts can love her, but she certainly has her followers. Peart is unassailable as a drummer though. As for Japanese rock girl groups, there is this niche subgenre of Japanese women doing great power metal (nobody does cool niche stuff like Japan). Not the manufactured sort of thing Baby Metal did/is doing, but actual musicians writing and making music. The connection to The Runaways is tenuous at best, since the micro-genre owes more to Iron Maiden, Iced Earth, and, most prominently, Japan's own Galneryus, but because of the previous discussion, I though I would post an example. Here is the great Mary's Blood:
  6. I'm very sorry to hear that, @Cinco DeNio. I hope you stay well and we all look forward to your return. Take care.
  7. Quasar Sniffer

    Musical Mondays Week 100 Light of Day

    When I find an aesthetic that works, I stick with it!
  8. Quasar Sniffer

    Musical Mondays Week 100 Light of Day

    True, which is sort of a weird take for a movie from 1987. "This film is about the redeeming power of rock n' roll! Not Heavy Metal or New Wave though. That shit sucks."
  9. Quasar Sniffer

    Musical Mondays Week 100 Light of Day

    Super late to this, so I apologize. I guess Springsteen talk brings me around eventually. In Springsteen's autobiography (it's great), he talks about how his greatest fear early in his career was being, basically, The Barbusters. A good band with some great songs but who couldn't fill a club outside a ten mile radius of their hometown and were thus destined to die forgotten. A lot of the local New Jersey bands he grew up worshiping suffered that fate, and it was only until he began struggling with his own music that he realized what a sad end some of the met. I can definitely see why this sort of story might appeal to him, at least on paper. Like everyone else, I had problems getting into this, from the creepy closeness (physical and otherwise) between Patti and Joe, to the emotional flatness of everything. Also, there is a definite few... similarities between the way that Patti treats her family and the way one of my siblings treats my family. No real corollaries in specific behavior, but the way in which Patti emotionally manipulates her family with seemingly no remorse, and going so far as to use her child as a buffer for bad behavior... well, I recognize a lot of that shit. So pretty early I was kind of like, "fuuuuuuck youuuuuuuu I don't care about your struggles." Also, being a metalhead, I do kind of take umbrage with the metal fans in this movie being represented as slobbering drunk morons who bray at equally moronic musicians who spend more effort posing with their guitars in phallic positions than actually playing. Of course those stereotypes existed, and still do (we've all seen Heavy Metal Parking Lot), but it was weird that metal was the only genre of music (in this movie about how great and life-affirming rock n' roll is) singled out for such derision.
  10. Quasar Sniffer

    Musical Mondays Week 99 Preview (JammerLea's Pick)

    Freakin' LOVE Little Shoppe of Horrors! Really looking forward to this one!
  11. Quasar Sniffer

    Musical Mondays Week 98 Stop Making Sense

    So I've been thinking more about this film, especially in light of the "Talking Heads To My Talking Heads" podcast. In the podcast, Scott and Scott do talk about how a lot of the songs on Fear Of Music were written in a jam session with the band and Brian Eno, and here, we've discussed about whether or not David Byrne was the driving force in the band or whether those jam sessions were where the magic came about. My take on it is, especially in light of the different versions of events created by distance and memory, is that... maybe it's both? U2 have written a lot of their songs, even entire albums, in similar jam sessions, but retained the "all songs written by U2" practice in all credit and publishing, which has undoubtedly helped them stay together as a band for over four decades. Talking Heads jam sessions were, I'm sure, incredibly collaborative, but I don't know what would have happened if David Byrne wasn't there. From his perspective, it probably does seem like he was the main songwriter contributor, while everyone else felt like it was equal contribution from the band members... which is why that U2 strategy is such a good idea in the long term. And honestly, I do think he was the unquestionable musical genius of the band, and that might have made him difficult to deal with personally, especially because he seems like he was on the autism spectrum at a time when that wasn't understood nearly as well as it is now. So even if everyone was present for the songwriting and jam sessions, it was David Byrne who enabled those amazing songs to come out. Sometimes when you are throwing in all these different ingredients together, you need an emulsifier to make things come together in a final way, to be cohesive. It seems like he was that ingredient, and without him, it Just wouldn't have worked. Obviously, it would be different if any ingredient was left out, and it would have been nice if he was more generous in giving songwriting credit (or not done straight up dick move things like telling a reporter the band had broken up before he'd actually told the band), but I think Talking Heads owe their magic to David Byrne.
  12. Quasar Sniffer

    Musical Mondays Week 98 Stop Making Sense

    For a guy who was very controlling and, you know, a weirdo (I love him that way), David Byrne has had some amazing collaborations outside of Talking Heads.
  13. Quasar Sniffer

    Musical Mondays Week 98 Stop Making Sense

    My Very Important Contribution to a discussion about a film I absolutely love...
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