Figured I would do some quick updates now that I have seen all of the above (plus one I didn't originally plan on seeing):
Parasite was this year's Palme D'or winner at Cannes, was directed by Bong Soon Ho from Korea (The Host). It is a scathing dark comedy about class and poverty and well worth watching. It will apparently be Korea's entry for Best Foreign Film for this year's Oscars, so it shouldn't be too hard to find.
Bacurau is a Brazilian film, I believe it also won a jury prize at Cannes, and it's also a dark comedy that sort of mashes up The Most Dangerous Game with Gilbert Hernandez' Palomar stories from Love and Rockets. Udo Keir has a memorable guest role.
Blue Note Records: Beyond the Notes is a documentary made to coincide with the 75th anniversary of Blue Note Records, arguably the most important American record label - certainly in its early days. Obviously it helps if you care about jazz to watch this film. There is a lot of great vintage footage of the label's many stars including Thelonius Monk, Miles Davis, Art Blakey, and many more. I've loved jazz for most of my life but I didn't really know a lot about the founding of Blue Note and its struggles and reinvention in the 80s and 90s. Well worth watching if you are interested in the music or if you just enjoy a well-made music documentary.
Monos is a harrowing, beautifully shot film about child soldiers in South America who are tasked with guarding an American female doctor who is being held for ransom. Probably the roughest of the films in this year's "extreme films" program at the festival, because obviously the reality of child soldiers is awful.
Deerskin is a wry satire of toxic masculinity by French director Quentin Dupieux (Rubber). It stars Jean Dujardin from The Artist as a middle aged man whose marriage has recently ended and is coping with it by spending all of his money on something he has always wanted: a 100% deerskin fringed jacket. As he scams his way in the small French town where his staying, he convinces the locals that he is shooting a film and becomes not just obsessed with his own jacket, but with the idea that no one else should wear a jacket, even if it means they have to die.
And finally, Blood Quantum was a very entertaining and gory zombie picture made in Quebec by indigenous director Jeff Barnaby. It's obviously a challenge to make an entertaining and fresh film about zombies after 50 years of them, but Barnaby pulls it off. The main innovation storywise is that the Red Crow tribe are immune to whatever is infecting everyone else, so we see a lot of the kind of plot threads that you would expect from a horror film through the lens of indigenous people. Barnaby wrote, directed and scored the movie and is clearly a fan of John Carpenter (in fact, he was at the screening wearing a They Live t-shirt). In terms of its effects and tone it reminded me of early Sam Raimi and early Peter Jackson. It's the best Canadian-made horror film I can remember seeing since Ginger Snaps.
So all in all, it was a good week at the festival. I recommend all of these movies if you get a chance to see them.