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I wish they explained why she was afraid of pointy objects.

From what I’ve heard, Chris was chosen because his speaking voice sounded close to Danny Elfman’s singing voice. He was probably trying to match Danny’s voice in his performance. It did blow my mind to see him Child’s Play this year.

Hugh Grant, for all his sweetness and "loyalty", was one-note. Every problem could be solved with enough application of money. I also wondered how long he had been dating Rebecca Ferguson. I thought he was married to her at first, not to Florence. (Although the marriage to Florence was probably not legitimate since she could never prove she had been divorced.) Also, why did she keep the name Jenkins even though she basically was separated after she got syphillis?

frick

new Unspooled Swag including this cool poster https://www.podswag.com/products/unspooled-100-sided-die

Another thing that kind of bugged me was how the movie ends on this vaguely triumphant note, where she sees herself as a beautiful singer, but then kind of throws up some kind of depressing cards about what happened to St Clair and Cosme. Like, why even include the fact that Cosme never enjoyed success as a pianist again or that St Clair struggled for the rest of his life? I believe it said St. Clair helped continue to support the arts “as best he could” despite his “modest” means. I mean, if I were really interested, I’d Wiki it. Those cards felt like something you’d put up for the villains of your movie. If your central character didn’t inspire the other characters to greatness, then do we really need to know that Cosme became a weightlifting judge?

I think what I would have liked more is if the movie had been more from her point of view. In a way, this movie was more about St Clair and Cosme than her. Maybe they were trying to make her a more mysterious figure (i.e., interesting) but it didn't land for me. We never actually know how she felt. We would just get glimpses when she would let her guard down. Not only would we get a little more insight into what made her tick, but I think it would have been absolutely gut-wrenching if we were to witness the reveal of her lack of talent talent through her eyes. Like what if all the performances were performed as it had in her head on her death bed? And through her eyes, we would see her (apparently) killing it, and then the movie could change focus and we would realize the people aren't really cheering her on, but laughing at her. I'm not really sure if that would jibe with the how in real life she was aware she wasn't a great singer, but this movie wants to pretend she didn't know that until the very end either, so whatever.

I'm learning a lot about celebrity relationships today because I didn't know this either.

Outsider music is an interesting phenomenon, and I dig some of it -- love me some Jandek -- but mostly it's people making music for themselves and then people enjoy it as a some sort of expression, not usually as "this is garbage, let's laugh at it." This movie would be much better if it tapped into her outsider-ness, instead of her being everyone's joke.

I wonder if this is one of those things where people are fascinated and find meaning in it that isn't there. If you've ever heard of The Shaggs, they have genuine fans. Frank Zappa, Kurt Cobain considered their album great even though it's objectively garbage. If they got together today, The Shaggs next album or tour would do some business. I wonder if Florence Foster Jenkins was Cole Porter's The Shaggs.

Off-Topic: I still can't believe it's Chris Sarandon doing Jack Skellington's speaking voice in The Nightmare Before Christmas. When I think of Chris I think of Prince Humperdink and the vocals don't match.

In case anyone is interested....

When I was a kid, my best friend's mother kept her ex-husband's last name. I'm not sure exactly why. Maybe it's just easier than changing it again or maybe it was so it would be consistent with her kids' names. But, I get it for a celebrity. Susan Sarandon kept Chris' name. I think sometimes it's just the name you get known by and it's easier than trying to get everyone to recognize you by a different name...

But on the plus side, no raisins! William Hung released multiple albums and a Christmas EP. He's arguably on par with Florence Foster Jenkins for success.

I agree with this. There wasn't enough background as to why she was a "sensation" before the end. Wikipedia says Cole Porter was a frequent attendee of her performances so her surprise at the end of the movie is incorrect.

Maybe in a hundred years there will be a biopic about how William Hung sang "She Bangs" on American Idol that one time.

I didn't see any chives in the bathtub potato salad.

I gagged when they revealed the bathtub potato salad

I wondered if it was because if people were nice to her, she would add them to her will? Her will at the end looked reaaaally thick. Overall, it was a fine enough movie, I guess, but none of the emotional punches landed on me. And this is the first movie we covered where I'm straight up "no thanks" to the movie soundtrack.

My problem is that the movie goes on way too long. It feels like it really only has a couple things to do. Once you've heard her sing, it doesn't really change. It's a different audience but it's the same reveal...again. The only real change after "lol she's terrible... can you believe it?" is pushing just how sweet Hugh Grant is by going this distance for her. I quite like the buildup to her reveal. I like the emotional bits at the end. But that's maybe an hour of movie and this is nearly two hours. I know you need to have a middle section but could it have been shorter?

I think my biggest issue with this movie - and as a fan of HDTGM, MST3K, And Rifftrax, I recognize the hypocrisy of what I’m about to say - is that it felt like it wanted you to laugh *at* Jenkins. There was almost a cruelty in that it was basically presented as buffoonery. But then, without warning, it wanted you to suddenly sympathize with her - which never felt wholly earned. Also, I never got why people seemed to genuinely like her. Like, in a MST3K way, I got why the soldiers ended up digging it, but not the people at the Verdi Club. Things are hinted at (e.g. pretension of bourgeois, deafness of the audience, etc), but the movie never really settles on anything. And maybe that was the point. Maybe the writer was like, “I don’t really know,” but I felt it kind of weak not to at least speculate. And since it doesn’t commit to anything, in my opinion, the movie lacks a strong point of view. Orherwise, it was enjoyable, just not entirely satisfying.

You are all invited to my pirate party ps: some good eps this week edit I was going to wait until next week and then post a bunch of pirate gifs, but after I posted this I forgot why . There will probably be no pirate party

Yes! Today! And from what I understand, they did Mac and Me!

Also all I was thinking is where is Shelley Miscavige?