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I hate to break it to you but...

If you don’t have a penis, a happiness will do. If you don’t have a happiness, then God bless you!

Robin Hanson writes a lot about the distinction between what we say about a situation generally and what we do when it directly impacts us. He refers to it as "near" vs "far", although the general term other academics have for the phenomena is "construal level theory". I don't think Mrs. Robinson is less interesting than Benjamin Braddock in The Graduate. If anything, HE'S the drip and I can't understand what she sees in him. I'm also glad to hear Paul take a dig at that film (which is not normally my response to his takes on movies). There's some flashy directing in it, but the uninteresting lead character really drags it down. My own take on this film is that it's fine, but comes across as really dated now. That's a hazard of making a film tailored to big issues of the present day, because the present soon becomes the past. I really don't see the comparison to a murder mystery. I also don't see it as "punching up" because it's not really "punching" at all.

Good intentions up the wazoo, and I do appreciate the performances of Tracy, Hepburn, Poitier, etc., but this just isn't a great film. It's didactic as all hell: characters literally just speak the themes and messages out loud on screen. There's no work for the audience to do, which I think is what generates the negative criticism of it being patronizing. I woudn't call it "bad," exactly, but it doesn't need to go on the rocket ship, especially since In the Heat of the Night is from the same year and deals with the racism of the era in a more interesting/entertaining way (I'm not even a huge fan of that film either, but I'd easily vote for it over Guess Who's Coming to Dinner). And this isn't about light touch or happy endings being devalued. You can have a light touch but still let the audience do some work and come to their own conclusions about the material. The Birdcage was discussed in the episode, and I'd say while that film (and its French predecessor) also has a light touch, it does lead the audience to a conclusion of acceptance/tolerance through character and situation, not by preaching at them. Guess Who's Coming preaches.

Not really considering they've had Reba McEntire and Robocop play the character and David Allan Greer has been actively trying to get cast as the character, this just seems to be the natural progression. Honestly surprised that there hasn't been an animated version yet outside of the anime game that came out a year or so ago.

At Comedy Bang Bang, a “brown bag lunch” is when you eat your quinoa bowl then shart on your scrotum.

I hate to break it to YOU, but...

This is a good stage version of Oklahoma!, done for the BBC Proms in 2017. I don't care much for the musical overall (except Surrey with the Fringe on Top always gets me). This production, though, let me see more of the overall warmth. I just don't like Rod Steiger as Jud Frye in the movie. (Plus I'm not a fan of how dark every R&H show gets.)

“Collective Bargaining”

RDJ will probably be endlessly grateful for Iron Man.

I heard the missed "my wife" opportunity too! I actually said it out loud in anticipation.

Word - frightfully boring interpretations! I owned a copy of this film on VHS when I was a preteen or young teenager - bought it for $0.99 (CAD) at a flea market. I didn't remember much about it, which tells me I didn't watch it very often. Unusual for me for movies I owned. Even when I rented movies, I'd watch them the night I rented and again the next morning before returning. Watching it again this evening, I understand why my teenaged self didn't like it. Adult me still doesn't like it. Of the main characters (king, princess, lords, and ladies), the one to me that was far and away the best at the song-and-dance part was Adrian Lester. Wish more of the other main seven characters had been like him. (Seriously, if you're calling something a musical, why not hire actual singers and dancers that can act? Look at Broadway and West End - there are tons of them out there.) I organized my Christmas playlists on my phone while I watched, so I don't feel as bad about taking the 90 minutes to view this movie.

Kenneth Branagh is 100% a talented and multi-faceted artist and also 100% a giant ego with tendencies towards hubris and cheeseball-ness. These qualities can absolutely co-exist.