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Lurk in subway stations like normal people.

But then how are they supposed to fall in love?

This is Lacey Chabert erasure.

Too dangerous, evil street crews get in your way

Yes, but think of like Good Will Hunting. Harvard students in bars having debates about economics was something the townies tolerated, and I see no difference in New Yorkers seeing ballerinas do line-dancing on the bar like second-rate Coyote Ugly characters.

I get that the whole city is their campus, but I have to imagine that the community at large must be sick to death of all of these clowns. Everywhere these kids go, they’re trying to one-up the townies. If you live in that neighborhood, you must have to be constantly prepared to be shuffled off to the side so the conservatory kids can cut loose. Thinking of having a fun night at the club? Forget about it. A bunch of calorie deprived ballerinas have just cleared the dance floor to engage in some over-choreographed nonsense. Maybe you want to just go to the neighborhood pub and listen to some live music and watch some traditional dancing instead. Well, fuck you because the Madame Oksana’s contemporary dance class has just pushed the tables together and the nerdy, bad boy violinist with the serial killer smile just stole Angus’ instrument to play Swan Lake remixes. April even threatens one of the ladies dancing “You’re going down!” These people are just trying have a fun night out on the town for fucks sake, and they don’t need your hyper-competitive, rich kid bullshit bringing them down!

Here's just a genuine question about dance academies in general. How much dancing does a dance student do a day? I don't know what a full course load would be like but Ruby is doing at least contemporary and ballet in one day. That's a couple hours of aerobic exercise a day. Are students doing much more than that a day? 1. That sounds truly exhausting but I'm also lazy. 2. How much showering do students do a day? They change outfits for each class and presumably aren't changing into clean clothes after getting sweaty in an earlier class. So, I'd think they shower after every class unless they go sweaty and gross to every class.

That was insane! It’s like Paul said in the episode, every time the hint of conflict arises, it is immediately squelched. I thought for sure when the instrument loaner dude asked for her ID, he was going to at least say, “Your ID says you’re in the dance program...” I mean, when you think about it, the movie is just one big false stake. He think he’s going to be deported because he’s overextended his visa. All of his decisions and subsequent scenes are based on this. Then, at the end, it turns out nobody gives a shit. It’s bonkers. I would have loved if he had to fight through DHS or whatever just to make it to the competition.

I just want to say my thoughts and feelings are going out to that poor violin student at the conservatory that is in desperate need of a violin. Unfortunately they can't play and are almost going to get kicked out of the school as a result. They are in on a scholarship and the airline company lost their violin. They're not sure if they'll ever get it back and can't afford to buy a new one. Fortunately they heard the school lends out music instruments to their students. Unfortunately they lent out the last violin to a dance student who doesn't even know the difference between a viola and a violin for an indeterminate amount of time without asking a single question. Now Johnny is going to get this poor student's free scholarship and they're going to be forced to go back to toil in obscurity in Toledo as their talent and skills slowly fade away and die.

It kind of pissed me off that the school vending machines only provided fat-free options. What kind of fascist bullshit is that? I mean, if it were only a dance school, I could maybe get it, but I’m sure there are, like, ten-year-old French horn players who might appreciate Kit Kat break every now and again - especially after being bawled out by whatever sadistic taskmaster they’ve been saddled with for accidentally releasing their spit valve in the middle of Bizet’s L’Arlesienne Suite No 1. A bag of cheddar flavored kale chips isn’t going to do shit to alleviate that kind of academic stress.

Did anyone else feel like it was wildly inappropriate for both Ruby and Jazzy to be sent to Madam Markova’s office together? Their infractions, such as they were, were completely unrelated. Jazzy was suffering from chronic tardiness due to sexy-fierce, forty-year-old dude fucking, and Ruby wasn’t, what, popping when she should be locking? I get Madam Markova was busy, but damn, it really felt to me like this might be a situation where two separate meetings might have been in order.

I know we’re dealing with movie logic here, but straight up, if I was in a truly devastating situation, one that might end in any permutation of destitution, homelessness, and deportation, and some person I barely know came to me with “you should probably enter this contest” as a solution, I would lose my damn mind. Homeland Security is about to bust down my door and my hunky ass back to Britain any second, so bring me realistic options or get the fuck out.

As a fellow man who is not flexible, I want to support Paul. This is the second episode his flexibility has been a topic. Let him be as flexible or inflexible as he is. Did anyone else think the dancing in this was very badly filmed? Especially the break dance scenes. The camera was very dynamic and the editing kept cutting back to different dancers. I get the desire to highlight a specific dancer, but the way this was filmed detracted from the dancing. The camera would often move with the dancer which made their moves seem less impressive. I think a more static camera would have benefited everyone.

an inconvenient truth

I would assume an arts college probably has some classes for younger people. Not necessarily beginners but people with talent/promise/rich parents. I want to say some of my art/music professors in college taught lessons on the side but I can't remember if they used the college itself.

Also I want to ask one more question, what's the age range? It seems on one hand post-secondary because they are going out drinking, but yet they have kids their practicing music. Do those kids have tutors their for their regular schooling?

What strikes me odd about your idea is that at first I was like "why not have a few in the music part of the school" but then I remembered the kids are practicing in rooms right next to the rooms the kids dance in. You're mixing them together. Why not have a wing of the school dedicated to music and another to dance. That way you can have a few cheeky snacks in those vending machines in the music wing, while keeping the less fun stuff in the dance wing. Also a dance student that wanted to be bad would have to go all the way across the school just to get to those snacks and they would have no reason for being over there except for a kitkat run. This would shame them and thus force them to stick to their healthy snack machines.

omg if you're confusing popping and locking do you even belong in a dance academy?!?!?!?! It's like confusing bournonville and cecchetti methods of ballet!!!!!!

I agree with this. In fact I wish they had filmed the dance scenes better because I might have enjoyed the movie more. I hated this movie and was mostly incredibly bored by it so when the dance scenes started I thought "Finally some fun." Nope they went and ruined those as well. Part of what makes a dancer incredible is seeing them move. It's about what they're doing with their bodies. You don't need close ups of the face let me see their bodies move! While on the topic of horribly shot dance scenes, who was live streaming the subway dance battle? Were they just standing between the groups filming and how were they live editing it as well?

Right?! I was also kinda wondering why go to all the effort of having it stolen at all? The movie didn't present it as something he needed to make good music or whatever, he borrowed the violin in the battle scene and then he used the rental??? during the rest of the movie?

I was surprised the hosts (yup, still calling them hosts) didn’t comment on the conversation the judges have during the middle of Johnny and Ruby’s performance. The female judge calls it “completely indulgent” and one of the other judges says “I disagree. Don’t we want to evolve? Don’t we want to progress?” I have so many questions about this conversation like - Is what they are doing really all that progressive? - If the female judge had such a negative attitude toward the performance, how did they end up winning? - And perhaps, most importantly, is this supposed to be the main lesson of this movie - to be more accepting of non-traditional expressions of art? That works better if the movie was centered around the school trying to stop Johnny from playing the style of music he wanted, but Johnny’s not a student and the school seems to fully embrace contemporary forms of dance and music. That conversation was as pointless as the subplot involving Johnny’s violin being stolen, which added no dramatic tension to the movie.

According to Wikipedia, John Blackwell was the name of Prince's drummer, as well as a 19th-century Welsh poet, and a 19th-century English civil engineer. Any of these would've made for a more interesting and compelling love interest than illegal immigrant Edward Cullen. In fact, I would love it if the sequel was about Ruby falling in love with any of these Johnny Blackwells.

I was truly flabbergasted that Jazzy's downfall never paid off, especially after falling in love with the mysterious, bad boy known as Paolo. 1. When Jazzy started showing up late for class after meeting her new man... I immediately thought, "Okay, here comes her addiction to pain medication that Paolo introduced her too." = Nope 2. Oh... Jazzy is warned to be safe on Paolo's motorcycle... "here comes the late night accident that will sideline her for a long time." = Nope 3. Jazzy is too tired in the morning and can't get out bed.... "Here we go! She. Is. Pregnant!" = Nope And another thing, "fuck you Jazzy" for not wanting to get out of bed towards the end of the movie. The headmistress LITERALLY told you the day before that you have no more chances of fucking up. You should have made your full character turn at that moment. Why isn't Jazzy waking up Ruby; which would bring a nice turn in their relationship.

Gene Kelly is so attractive ( to me ) that i can't see anything with him in it. I just... zone... out. I know he was straight, i know he wasn't nice to his co-stars in Singing In The Rain, i know he is dead. I don't care. Sorry, i just needed to get that off my chest and onto the internets.

The R-cut must take out the sex, because I don't see how it could be an R with actual sex in it.