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Showing content with the highest reputation on 01/21/19 in Posts
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3 pointsSomething I still can’t work out is why the crooked cops need to bring William H Macy, a man recently wounded in a gunfight, with them to the pier. Ostensibly, he’s there to help them identify Evans, but once they get there, they don’t really need or use him. At best, he’s just going to get in the way; at worst, he’s going to just be another loose end they’ll need to “clean up.” Furthermore, having already dealt with Evans before, corroborated his kidnapping claims, and already witnessed police corruption firsthand, in all of Los Angeles, he’s probably the one person most likely to listen and to believe anything Evans has to say. Maybe it would be better for them to just let Macy retire peacefully to his day spa than go through the hassle of having to explain how the suspect he helped ID at the beach mysteriously “disappeared.” Then again, this is a plan cooked up by the same people who think it’s okay to loudly coordinate a murder over an open walki-talkie channel while the one honest cop among them is clearly still within earshot.
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2 pointsI think it all took place during a government shutdown
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2 pointsThe airport scene is further proof Jason StL.A.tham and crew are terrible at their jobs. Now his partner was not carrying a weapon when going through security and must have been aware that he didn't put a gun in the x-ray machine tub. I mean you think as a law enforcement office trained in firearms and their safety and handling you'd recall information like that. So upon being stopped by the TSA and identifying as a cop his first recourse was not figuring out who was ahead or behind him in line and could have done that but rather just go about their business. Don't you think he would remember Chris Evans cutting in front of him and do you think the TSA would just let him on his way without having to check why armed cops are going through security? Cop or not I think a gun would shut everything down for awhile.
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2 pointsI love it when the dialogue in shitty movies is clearly speaking to the audience because it doesn't trust them to pick up on visual cues. This movie had an overabundance of this sort of gap-filling. My favorite example of this is when Kim Basinger's Mrs. Ricky Martin cuts the cop/goon/professional wrestler's arm with a shard of glass after he discovers that she's found a way to use the phone in the attic. She slices the inside of his arm and he gets all shaky and asks her what she did to him. She then proceeds to give this dying man a "science biology" lesson on the brachial artery and how he will bleed-out and 30 minutes. Time is of the essence and she needs to rescue her kid and get the hell out of there... and she's lecturing this dying goon on arterial blood flow?!? Had she skipped this One to Grow On, she would have had ample time to bust Ricky Martin Jr. out of the garage and escape before Angelino-American Jason Statham and his crew returned. Then I read this comment on the movie's IMDB Goofs page: When Jessica cuts the goon's arm she tells him that he will bleed 30 liters/minute. The blood flow through a brachial artery is nowhere near that much. During vigorous exercise the entire heart puts out a total of 30 L/min, but that's the sum total flow through every artery of the body. The flow though a single brachial artery is fraction of that. In addition, the goon was not vigorously exercising. At rest, the cardiac output is about 5 L/min.
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2 points
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2 pointsI was called out (not by name but I am the one that mapped Escape From L.A.) to map this movie but I've had a busy weekend and didn't have time to do it. I did a brief searching from a few of the locations I remembered in the movie and sadly it seems to be not as crazy as they think. Here's the catch though. If we go by what the movie says it's not that crazy if we go by where actual scenes take place then it gets crazy. For example the school is in Brentwood(ish) area and the chase is suppose to be down Sunset Blvd but in reality it is down by LAX. As I am no Jason Statham and haven't been to Los Angeles since I was 13 so I'm not sure if the route this time is as interesting. My next two nights are free so if there is actual interest in the maps I'll do them.
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2 pointsApparently Macy rewrote his character in this movie (according to an IGN interview). It was originally written as an older fatter character with characters telling him to take it easy or he'd have another heart attack. So he himself floated the idea of the day spa and wrote a few scenes and sent to them to the writer! So that's why his part is so good. It was written by him! Link to the interview.
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2 pointsI’m still super unclear about the role, Bayback, Jason Statham’s female accomplice, was playing at Kim Basinger’s house. I get cleaning up evidence. I get searching the house for additional tapes. And I get being there in case the husband came home or something. What I don’t get is why she was cosplaying as Mrs Ricky Martin Sr. I mean, when Bill Macy knocks on the door, she really has no idea who he is. For all she knows, he could be a neighbor, a relative, or a friend of the family. And I get that he initiates the conversation by asking her if she’s Mrs Martin, thereby tipping his hand that he doesn’t know who she is, but why take the risk and open the door at all? If it’s nobody, they’ll just leave. And, being a cop herself, she should know that if the plain clothes gentleman at the door is a police officer, he won’t be able to enter without a search warrant. Answering the door just puts the whole operation at risk. I mean, had Macy been someone who could identify her as a fraud, what was her plan? Shoot him on the stoop in broad daylight? However, the dumbest part of the scene is after Macy leaves, Bayback tells Statham that a cop was asking questions, but she’s “taken care of it.” What she neglects to tell prominent Angeleno Jason Statham is that the cop told her that a woman named Jess Martin called the cops and said she was kidnapped!!!! If you were the leader of a band of rogue cop/kidnappers, I think knowing that the person you kidnapped has made a successful outbound call to the police might be a tiny detail you’d want to investigate.
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2 pointsI am still confused. Wouldn't his phone have shown the phone number KB called from? Unless it was blocked? Also, what about fucking *69? More thoughts on this one: When Captain America was in the stairwell in the police station and was about to lose the signal, why not just put the phone down somewhere and go up the stairs to find someone? I'm fully convinced WHM is the main character. He's the only person we learn anything about (other than that KB is a "science biology" teacher). We see him living his life, dealing with the nitty gritty of opening a day spa and testing products with his wife. He gets the "save the cat" moment, even if it's a fish. He's the one I wasrooting for the whole time to figure it out and finally get Captain America some help. He was the only good thing about this movie. He was everything. This was only marginally better than Perfect Stranger. Only just.
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1 pointJust like Abraham Lincoln said when he swallowed his molar, "This tooth shall pass."
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1 point
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1 pointUm...what the fuck, Grudlian? What in the ever loving, fuck?
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1 pointI don’t really have an issue with the attic and its attic phone, but smashing the phone (obviously) doesn’t do anything to prevent making and receiving phone calls. It would have been far more effective to either sever or disconnect the POTS (“plain old telephone service”) line from the NID (“Network Interface Device”). Typically, this is a grayish box on the side of the house that serves as the DMARC (“demarcation”) that connects the phone provider’s loop to house - thus providing the DT (dial tone). Of course, we’re shown that the house has multiple lines which might suggest - although doesn’t necessarily guarantee - the presence of a PBX (“private branch exchange”) phone system. If that’s the case, depending on the system (“Mitel, Nortel, Allworx, etc) it might just be a simple matter of removing or deactivating the copper pair that connects that line to that particular phone. My point is: destroying that phone was wasteful and an ineffective way to prevent phone calls being made as it did nothing to disrupt the actual dial tone. This has been Telephony 101
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1 pointTo me one of the craziest parts of their plan was why lock Kim Basinger in an attic with a phone in the first place. They are in a large house and not every room has a phone in it right? So why pick a room with a phone in it? Why not a bathroom or kids room that would be phoneless. That way you wouldn't have to worry about these things. Or why even put her in a room alone? Nobody is around, why not just tie her to a chair in the living room with everyone else? This also begs the question why even move her to a second location. Why not tie her up in her own house? That way you can search it and keep an eye on her. Also if you search the house you might be able to find where their kid goes to school in the first place and not have to worry about her not telling you. Clearly these cops turn to shaking down drug dealers because they are terrible at their jobs if they missed all this.
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1 pointThe most ludicrous thing about this entire movie isn’t that Basinger was somehow able to place an outbound call from a demolished telephone, but that after all her random futzing, almost right off the bat, she somehow managed to connect to a local number. I mean, damn. That sure is lucky. And the truly insane thing is that it had to be random. If her character possessed the deftness and alacrity required to manipulate the phone’s copper lines so that she was only placing local calls, then there would have been absolutely nothing stopping her from calling the police herself, or at the very least, a family friend or relative. But, no, out of the 250 million plus active telephone numbers in America, she somehow managed to reach a the one dude currently traveling within her local pizza parlor’s delivery radius.
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1 pointThis was actually an episode of Law & Order SVU where the detectives were getting a call from a child who claimed to be in the process of a kidnapping, but when they trace the call it's bouncing all over the city and the girl's answers to their questions are creating a lot of doubt about the reality of her claims. It's a tense as hell episode because you the viewer are starting to get the same questions and wondering if this isn't some kind of scam.
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1 pointOh, well yeah I knew he was in it cause it got this big announcement, but I thought you meant he was in the trailer lol! Clearly I think the shot of the clock will be from his scene considering his name, but I was REALLY looking forward to a beard man lol.
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1 pointThis is what I was thinking. Cellular could be a much better movie if it were entirely from Chris Evans perspective which is what Phone Booth basically is. Imagine the movie starts with the scene of Chris Evans on the beach. We haven't seen Kim Basinger get attacked so we are right there with Chris Evans from the beginning. Is this a joke? Should we take her seriously? This puts us in Chris Evans shoes. It's immediately a better movie and that's just chopping off the first five minutes of the movie. I think a little bit of rewriting to keep it focused on Chris Evans (even just editing out the existing scenes with side characters) could make a solid action thriller. More like Phone Booth or Sorry, Wrong Number where is much more psychological from the person on the phone.
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1 pointI had to search out the script to find out if the nipples scene was actually something that someone sat down and wrote. Thankfully it appears no one did because that isn't in the script http://www.dailyscript.com/scripts/cellular.pdf . But then that means that is something they found on the day? That really isn't any better. Although Noah Emmerich was a dick to William H. Macy about his day spa I thought he was being sincere about trying to get him to join his squad. Did Noah think the one missing piece from his corrupt vice squad was a clean cop who'd never seen any action and was on the verge of retirement?
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1 pointKevin is working those boys like dogs. What a cruel master. How the tables have turned.
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1 pointJust hearing the boys (sean and hayes) are considering doing an extra episode of hollywood handbook a week for people subscribed to a particular service. more to come, stay tuned
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1 pointIn Halloween 2010 all the kids were going to the party. The person I wanted to kiss told me to make sure I was there IN COSTUME. At that age you would do anything for the one you wanted to kiss*. I had work before the party and when it was time to leave work the door fell off. i had to hold the door up so that the alarm didn’t go off, while my coworker looked for a new hinge. It was hours before I left work.** Got home, got showered, got dressed in my makeshift matrix gear, got going. When I arrived at the party the person I wanted to kiss had already left and no one else was dressed up. so I drank a lot of vodka and kept doing the matrix bullet-limbo thing. The last matrix movie had come out 7 years prior. I don’t think I could have predicted then the way the golden globes turned out this year, so it’s impressive these guys did *Not judging, I would too. **It normally was, but this time it was even more hours
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1 pointHonestly, why does Conan need Earwolf? I feel the ADs are so intrusive and overbearing, plus it gets edited down to even less time so its literally like half Ads and 25 minutes of interviews.
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1 point
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1 pointI don't know if I've ever laughed harder at CBB than I did at Ship of Love. Great bit.
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