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The reason OG Adelade didn't scream was her voicebox had been severely damaged when she got choked out by her tether, hence her voice being what it is when they see each other as adults. As for her knowing yeah she definitely knew, but like when any kid has been caught breaking a rule we stammer and lurch trying to cover our tracks, so tether Adelade was not only trying to play coy in front of a family of non-tethers, but also fighting against reverting back to her tether-ness when seeing her real person after 30 years.

From what I got from everything was that the tethers were meant to be the strings for the government to control people, but as was stated it in the film, it ended up reversing on them as the government couldn't duplicate a soul which seemed to be the key item to create the "strings" basically making the tethered the puppets moving based on the whims of the originals, excluding Lupita's characters who were special. My only couple questions are about logistics like how they kept receiving rabbits to eat, though I think that could be explained by the tool for cloning being left down in the facility with the tethers and they figured out how to keep making bunnies, or how all the millions of tethered were able to get the red jumpsuits, gold scissors, and gloves? Though in these instances I think it just boils down to "cuz horror movie" which I'm completely fine with, I did wonder why would the government not at least put like a baby gate in front of the escalator leading up to the real world or better yet, just terminate all the tethered when it was revealed to not be a viable control option for them? I did love reading a theory about how this is in the same universe as Get Out in that it can be inferred that the grandfather of the Armitages in Get Out was involved with the original program to create tethers, and seeing how the plan failed due being unable to replicate a soul, went about finding another way to control a body, leading to the use of neurosurgery and hypnosis that his descendants continue on with. Also, there is another trippy theory I've found about there being another body switched which actually makes A LOT of sense.

A movie that asks: how long will a person reasonably sit just to see a car fucking fly? We watched:

LOL okay yeah about the same, but I still fucking lost it at that song drop because that's my favorite No Doubt song lol.

For sure this. I felt like Captain Marvel actually talked about being a strong female presence and how that affects future generations of young girls. And she did so as a regular person without superpowers. Her biggest hindrance were guys telling her to be less emotional and literally stopping her from using her inate abilities.

I'm about to listen to the episode but I have to say what I said in the recommendation thread way back when. This movie was so bad it ruined a date for me at 14 and I'll never forgive it.

I'm going to go on record saying this movie was more feminist than Wonder Woman. LOOOOOOVED it and have seen it twice in the theatre. I . might go a third time. I"m only just coming around to the MCU. This was just so, so great. I am planning on seeing Avengers: End Game just to see Brie Larson's Captain Marvel. Love her.

My takeaway: I need to see 13 Ghosts

ok, i listened to this episode. i may have enjoyed it. $10 richer, baby.

Umm... Shark Sandwich sounds "too scary"? I guess it's been a while since I've seen the movie.

HH always goes to 11 in my heart (edit: I only noticed the picture and hadn't seen it was accompanied by pretty much the same comment. I'll try to think of a different one...)

Not sure what song I’d sing, but definitely something by Scott Grimes

Apparently Peter Jackson owns one of the driveable Chitty's and drives his kids around New Zealand in it.

Ooh boy do I have some thoughts! First thank you again for hosting @Cinco DeNioI had SO much fun watching with you! On to my thinky thoughts! First off this family is FUCKED!! The kids are a hair's breadth away from being full on feral. DVD is an awful father. Those kids are entitled(yet woefully neglected )little shits. 1. What gives them the right to play in someone's place of business and 2. Of all the businesses to loiter in why the junk yard? 3. How dare they lose this guy a sale and declare that their dad will get them their favorite playscape? 4. Those kids are full of tetanus and are seconds away from blood poisoning setting in from frolicking in the scrap metal. I'm shocked they can even work their jaws. These children can't possibly be truant because they have never seen the inside of a school. Also this is a time of child workers so I feel like it's not unusual for kids to not be in school.just wondering around like bums yeah that's odd. But not being in school itself isn't.felt All in all this family is why CPS was invented. I don't remember it all but I know I came up with two really stupid (but fun at the time ) conspiracy theories about how 1. DVD's character is actually really Burt from Mary Poppins (this is a Sherman film). He is saddled with the children that came from a dalliance with Mary Poppins because we all know she doesn't want kids of her own and peaced the fuck out. He must hide because these children now posses her eldritch powers. Or 2. Mrs.DVD faked her death to get the fuck away from this bullshit. Or DVD killed her with an invention.

This was around the time I started fast forwarding through the songs I’m sorry, maybe by that time they had become relevant, but there were so many numbers that did nothing. “Old Bamboo” and “Toot Sweet” were just spinning their wheels numbers. You could have cut them right out and saved us ten minutes of runtime. And what’s worse, they weren’t even that good. In fact, aside from the title song and “Hushabye Mountain” none of the music was all that memorable. Like, I’m glad I finally watched it, but it was hard to sit through. There’s no way I would have had the patience to watch the thing straight through on Rabbit. You guys are the real heroes!

I really did enjoy this movie but DvD is right, there are SO many plot holes, it's lacking something that Mary Poppins had, and I can totally see Cubby Brocolli throwing a fit. But DvD is so damn good. I love that it's a romance (even if it's a whirlwind romance that makes Romeo and Juliet [since we've been talking about that on Unspooled] look like they took their time and is based on DvD's fortunes rather than anything else), it's not so much about the kids as it is about Potts and Truly falling in love. The kids are just their to kind of help move the mcguffin along. The car in incidental and until the Grease esque ending is just a car when it's not being used as a prop in DvD's story. I think if you look at the song Hushabye Mountain and then the story in the car, it is essentially a bedtime story, which means I can forgive a lot of the plot holes I think that is the main difference between this and Mary Poppins (and even Bedknobs and Broomsticks). MP and B&B are bordering on magical realism where is Chitty Chitty Bang Bang is a straight up bedtime story. As for DvD's dancing, I think he underplays his skills as a dancer because he was never formally trained but I think a physical comedian such as himself is closer to a dancer then he probably realizes.

This is one of my favorite movies but is one I watch in spurts. I will watch it a bunch then not again for years. I agree it is far too long and there are tons of plot holes (which I hope we can discuss). However I can't get over the Baron & Baroness's duet (who puts an adult woman in see-through lingerie in a kids' movie?) and the living doll parts. Especially where DVD and Sally Ann Howes sing together. I have watched the movie many times but missed a lot that I saw during the Rabbit showings. Thank you all for watching this with me! I have never figured out why DVD pauses during the duet and looks mystified in the mirror. Until last week I never noticed Sally pushing him into the mirror to get him going again. I always thought he just leaned too close to the mirror to look in and hit his head. DVD did an interview on the Blu-Ray. I will see if I can find it or post it later. He talks about the doll sequence and especially Sally's performance.

I found this article where DVD said he didn't like the movie and had turned it down repeatedly. Here's what he said about the accent.

This movie has so much violence and sex we were marveling Friday night that it is considered a children's movie

I thought it was a bold choice to show three separate children nearly being run over by cars within the first 10 minutes.

This movie is so good, so weird, so bonkers insane while somehow being less bonkers insane then the book (which I haven't read but skimmed on Wiki). Which means I loved it. It's so damn utterly charming. DvD learned not to do a bad accent and just let himself shine through amidst all these great British actors. is it to long? Probably. The car doesn't show up for like an hour into the film (after the opening race and the kids playing in it). And talk about some free range parenting. But man this film is just so damn good.

I loved how DvD's accent work was the polar opposite of Bert from Mary Poppins. "Hmmm...Incredibly British father? Incredibly British children? Okay. I'll give this about 2%."

To be honest, by the time the car turned into a boat, I had forgotten the framing device that DVD was just telling this story to everyone. Also, yes, I just about lost my shit when Truly looks at the two kids in the land where kids are hated and is all, "you kids stay here while I find food. It's all fine. you can watch each other. nothing bad will happen." What?!

Yeah. I'm saying this in the spirit of constructive criticism, but I much prefer it when they at least try to go through the beats of the plot. 15+ minute yelling tangents about alternate dimensions or Mario Lopez chest hair theories, not so much. I was listening to a couple older episodes and the difference was startling. They used to focus on the actual movie and the plot a lot more. Maybe have Paul write up a quick plot outline before every episode, and guide the discussion to go down the beats.