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Whenever I think of that scene, I think of a conversation I had with a Theater Major friend of mine back in college.* We were talking about Romeo & Juliet, and the magnificence of Mercutio, when the subject of the "Queen Mab" speech came up. We both loved that speech, but what my friend said she liked the most about it was that it was pretty much Shakespeare writing something "because he could." Yes, it helps establish Mercutio as Romeo's foil, but he could have just as eaisly said, "Hey, bud, dreams are dumb." Instead, you get this incredibly poetic monologue that's there...just because. For me, that's what the Broadway Melody is. It doesn't really tell us anything we don't already know. It's there because Gene Kelly "could." Paul also says that it doesn't make sense for the movie they are supposedly making and that it should have been Debbie Reynolds instead of Cyd Charrise. I mean, their idea for the Dancing Cavalier is pretty suspect, but the way I rationalized it is that in the modern part of the movie, Kelly's character is falling for the wrong woman so that he can be available for Lamont's character in the time-travelling sequence. Besides, it can't be Debbie because she's not even supposed to be working on the film *Incidentally, this was the same friend who introduced me to Singin’ in the Rain

How about "Operation: Stargrove" (Portuguese/Tagline: To hunt that gang they formed Operation Stargrove) or "Stargrove and Danja" (French/Tagline: Waterfalls. Prosecution. Fights. To cut the Soueele[?]) or "Lance-Never Die Young" (German/Tagline: He is only 18, and is already hunted by all) or "Not To Be Late" (Turkish/Tagline: When a student is unaware of everything, he has become the target of bloody killers)?

I have to admit that I was falling pretty much along the lines of thinking with Paul for the most of it. Make Them Laugh is the best number in the movie and Broadway Melody while a great dance number does feel a bit long and self indulgent in this movie. Now like my fellow Cameron pointed out there is nothing wrong with something existing because they could and that doesn't take away from the beauty of the number. However, as a certain point I can't help but start to think "Wow, this is still going on" and awhile later "Wow, this is still going on." I just want to get back to the fun of the characters interacting and as a result the number over stays its welcome a bit.

I feel the need to back up Paul's opinion that the Broadway Melody because I've definitely been judged for also thinking it doesn't really belong in Singin' In The Rain. It's great sequence but it doesn't make any sense in the movie at all. Every time I watch Singin' In The Rain, I always forget it's there until it's on. But I think of every other scene in Singin' In The Rain when the movie comes up. And I really really want to back up everything Amy said about La La Land. It's fine but never totally bowled me over. Also, a very obscure cameo in the movie is Snub Pollard who's probably best known as the villain in a bunch of Harold Lloyd. He's apparently the guy Gene hands the umbrella to at the end of the Singin' In The Rain sequence.

yes it was nice to hear @JulyDiaz one of the greatest thread posters of all time on there but the fans demand the return of andy kneis @kneisage

I didn't like it all that much, AMA

Fuck - Debbie Reynolds Marry - Gene Kelly Kill - Donald O'Conner (also because he's the only one left sorry lol)

Lollipop factories giimme’ worser falshblacks than a coastal Frenchman with ankle to hips hives.

All the new characters on the pro version were great fun. They're the cinnamon bun and swedish fish etc flavored oreo to Intern Andy's Double Stuf tho, daddy wants the classic

GITURRDUNNN

Cannot believe someone green lit this. This is a weird fucking movie, both in premise and execution. 10 year old boy shows up at Nicole Kidman's door and says he is her dead husband reincarnated. So in this movie Kidman's love interests are Danny Huston and a ten year old Cameron Bright. This movie is so ill conceived it makes my brain hurt.

I watched Enchanted for the first time last night. That was a lot of fun! I had to pause several times to go do laundry but never shut it off early.

Listening to Jon fail to contain his laughter during the open is my favorite thing about comedy podcasts.

This film was featured on Red Letter Media's first episode of "Best of the Worst". They read that description from the VHS box, and also pointed out the misleading press quote from the L.A. Times: "...explosions, one-against-a-hundred-bazooka battles, and chases..." Misleading for a couple reasons. First, what bazooka battles? This would imply that there are at least 101 bazookas. Second, have a look at the original review for comparison. The full context of that line is: "You want James Bond? You want high-tech teens? You want gymnastics? You want drugs, sex and rock 'n' roll? You want car chases and chopper wrecks? You want vanity in a bikini? (And out of it?) You want explosions, one-against-a-hundred bazooka battles, and chases in the sewers? Hang on a while. If it moves, and it's sleazy or violent, producer-writer Steven Paul's team will try to grab it." So it's not "chases"...it's "chases in the sewers"...if that's the kind of crap you're into. You have to admit, the marketing team who designed that VHS cover has cojones. They took a review that called the film "aggressively bad" and pulled a quote to make it sound complimentary. Here's the VHS box: https://www.blogto.com/events/video-vengeance-10-never-too-young-to-die-1986-free-vhs-screening/ And here's the original review: http://articles.latimes.com/1986-06-17/entertainment/ca-11719_1_producer-steven-paul

How's this for a coincidence. After watching the movie ahead of last week's episode, I was listening to the audiobook Barrel Fever and Other Stories by David Sedaris. One of the journal entries he reads from the 80's says: In the mail we received a video guide of new releases. One movie is called Never Too Young to Die. The brochure reads, “A vicious hermaphrodite wants to control the country, and only two people stand in his way. The resulting ‘battle of the sexes’ will blow your mind. With a heady mixture of powerful heavy-metal music, state-of-the-art weaponry, martial arts, and espionage that makes this exciting action flick a winner.” - Things are looking up when a hermaphrodite wants to control the country and only two people stand in the way. Notice, he doesn't mention actually seeing it, but it looks like just the description left an impression.

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I took this as a sort of half-baked representation of phallic penetration. You know, because Ragnar is both man and woman, The Finger is the most purely masculine act he participates in, which is why his gang fears him so much. They are all, it seems, attracted to the feminine aspects of Ragnar, so when the masculine and penetrative aspect shows itself, they shrink away in fear (or get stabbed and die). What does all this amount to? Not much, because this film is bullshit.

Also, college or boarding school, I wasn't even allowed a hot plate in the residents hall. Someone apparently missed freshman orientation if he thinks it's ok to experiment with lasers, accelerant, and whatever other crazy shit he had.

I just assumed it was poisoned, because that seemed to be the least-stupid explanation.

Speaking of the dumb bug-gum, I would just like to point out that having a reason to plant a bug is just as important as where you plant it. After leaving Ragnar, Lance rushes outside, ducks behind a dumpster, pulls out a receiver of some sort and hopes to hear...what? What was he expecting to happen? As near as I could tell, there was no one even left at The Incinerator. Who did he think Ragnar was going to speak with? Did he just assume that Ragnar would hold criminal court in her dressing room? Was he just hoping that as soon as he left the room Ragnar would indulge herself in a nice, long, self-incriminating soliloquy?

So Ragnar's big weapon that all his cronies love is "the finger" which is basically a razor sharp finger nail. However "the finger" is only like an inch long if that. Do you know how deep into your body your internal organs are? Hint, it is more than an inch. So what's the threat of "the finger"? In theory you could use it to sever major arteries and cause them to bleed out but in most cases in the movie when Ragnar uses it he goes right for the chest area. You are doing nothing there. Yes it'll cut you and hurt, but at that length there is no way it could kill you right away. Also at that short length Ragnar really would have to get in super close in a fight to make it work, and because of its location there is no way he could make a fist and fight effectively hand to hand.

I agree that this is unusually respectful, given that we are in the era of Short Round and Long Duck Dong. But I will also point out that when you boil this movie down, it's still about some extremely skilled and competent non-white characters (Cliff and Danja) who get shunted to the side so that the clueless, inexperienced young white guy is able to inexplicably save the day.

I was also left wondering why they were so sure that blowing up the laptop was going to stop the poisoning of the water supply. As far as I could tell, the code in question had already been executed and the screen was now just displaying a countdown. You don't stop a time bomb by just smashing the digital screen. You actually have to de-wire it or send a new command if there's some kind of control system. If Cliff had been in charge of this operation, I'm sure he would have brought this up. There's a non-zero chance that the town got poisoned anyway.

I've seen both cuts, though my memory is garbage now and I can't recall much of what's different. I do love this movie though, it's fun to look at and I wish I knew more about the world the monsters lived in.